Baishey Shravana is a movie set in a village in the 1930s. The story follows the lives of the villagers and explores the societal challenges they face during that time period.
Chandranath, a complex and intriguing character, embarks on a journey of self-discovery amidst numerous challenges and tribulations. As he navigates through various ups and downs, he unearths hidden aspects of his personality and finds his calling.
A 1939 Bengali Mythological Film directed by Phani Burma.
Acclaimed director Bimal Roy’s debut feature about a struggling writer established him as an important Bollywood voice through its realistic portrayal of the simmering class conflicts in pre-independence India. Anup (Radhamohan Bhattacharya) loses his job writing speeches for a wealthy industrialist and decides to focus on finishing his novel. But when his former boss steals Anup’s unpublished book, he throws himself into socialist politics.
Chaowa Pawa is a heartwarming comedy-drama film that follows the story of a wealthy father and his daughter. The film explores the complexities of their relationship and the challenges they face as they navigate through life. With themes of love, wealth, and family dynamics, Chaowa Pawa is a must-watch for those seeking an engaging and emotional storyline.
Uttar Falguni is a drama movie that revolves around the themes of love and motherhood. It portrays the journey of a young woman who faces several obstacles and sacrifices her own happiness for the sake of her child.
Kamona is a Bengali drama film directed by Nabendu Sundar. This movie was released on 4 March 1949 under the banner of Kirti Pictures. This is the second film of Bengali actor Uttam Kumar after Drishtidan and his debut as the leading person crediting him as Uttam Chatterjee instead of Arun Kumar Chatterjee.
A 1941 Bengali film directed by Pramathesh Barua; the film was remade in 1963.
Melodrama about lineage and property questions. Nikhilesh (Barua) loves heiress Indira (Jamuna). A poor orphan girl, Radha (Menaka Devi), arrives claiming to be Indira's stepsister and therefore part inheritor of the family estate. Indira agrees to share her inheritance but then Radha makes a play for Nikhilesh. Ultimately, Radha turns out to be the real and sole heir. Love proves to be stronger than material possession as Indira and Nikhilesh get married and Radha finds happiness with Ratan, a man she had known and loved during her days of poverty. As each character returns to the class of his/her birth, the message hammered home is a warning to people never to transcend their social status.
Nishi Padma is a movie set in Calcutta, India, and depicts the story of a married couple facing domestic abuse, poverty, and marital discord. The movie also explores themes of misogyny, child neglect, and the struggle for survival in a difficult environment. It is based on a short story and sheds light on the dark aspects of society including the presence of brothels and prostitution.
A 1939 Bengali Drama Film directed by Prafulla Ray.
A 1941 Bengali Drama Film directed by Pramathesh Barua.
Lukochuri is a heartwarming tale of love, sacrifice, and second chances. Set in the picturesque backdrop of 1950s Bengal, the movie revolves around two young lovers who are separated by societal norms but are determined to find their way back to each other.
A film based on the novella "Nastanirh" by Rabindranath Tagore written in 1901.
Gora and Mahim were two sons of Krishna Dayal Babu. From childhood, Bijay and Gora were friends. Through an accident, Bijay was introduced to Paresh Babu's family. Paresh was a Bramhin. So Gora did not like Bijay's visit to that house. Gora's mother was very anxious about Gora's Hindusim. Krishna Dayal was also very annoyed being an orthodox Hindu. As per his father's request, Gora went to Paresh Babu's house. Paresh babu's wife Bhadra Sundari was not happy seeing Gora there. But Gora had a real conflict with Haran Babu. The marriage of Haran Babu and Suchitra was almost fixed. The reason of the conflict was that, Haran Babu always thought of himself to be a social reformer and saviour of Brahma religion.
Nondo and Gobindo are both rich people who live in a village. But they had married in the city. One day Nondo writes Gobindo's father-in-law that they are coming to the city and want to stay there. But after arriving in the city, they found nobody was waiting for them in the station. Then they meet somebody who is also looking for some people. So, he takes them into their house. After receiving the hospitality, they realized they were in the wrong place. They decided to go to a hotel. After reaching there they met some people and day by day they had different experiences in the city. Then they accidentally reached a film shooting spot and after then through some incident, they reached a police station. After that, they found their house and again did some hilarious incidents in his father-in-law's house.
Kundan, a nomad, is offered a music deal when his songs are noticed by a pair of music directors. His lover, Rupa, convinces him to accept it but misunderstandings cause a rift in their relationship.
A 1949 Indian Bengali Film directed by Pashupati Chattopadhyay.
Sisir Kumar Bhaduri's Palli Samaj. A 1932 Bengali Talkie Film directed by Sisir Kumar Bhaduri.
A 1949 Indian Bengali Drama Film directed by Deb Narayan Gupta.