Set in a Jewish ghetto during World War II, Jakob, a barber, spreads hope and optimism among his fellow prisoners by inventing news bulletins and pretending to have a radio. However, when authorities discover his secret, Jakob must face the consequences of his lies and the true horrors of the concentration camp.
Like every year, five old friends come together in a chalet in the middle of a Canadian snow desert. Henri, his wife Apolline, brother-in-law Maxence, Jean and Paul are waiting for cozy evenings with board games and good food - a typical ski holiday. But on the first day Henri announces that he knows about the affair between Apolline and Jean. An oppressive mood spreads in the secluded hut until the spiral of jealousy and sadism kills one from its midst.
Four generations of Oppenheim men gather in Paris for Isaac's 90th birthday. He's "Romeo," still a lady's man, waiting to hear from a woman to whom he has proposed, threatening suicide if she says no. They gather at Isaac's grandson's, Ben, who lives with Peggy and their son Mathias who's 10. Joining them, from Israel, is Isaac's son Elie. Against a backdrop of Elie's attempts to call his ex-wife, Ben and Peggy's marital difficulties, Mathias's budding sexuality, everyone's love of chess and practical jokes, Ben's house (shifting dangerously on its foundation), and the twentieth-century struggles of the Jews, the film explores their relationships and Isaac's aging.
Cécile is a decadent young girl who lives with her rich playboy father, Raymond. Anne, a mature and cultured friend of Raymond's late wife, arrives at Raymond's villa for a visit.
The fire at the supermarket is a boon for a scrap dealer who has just killed his wife. According to Commissioner Voitot, the victim could be one of the unidentified bodies. But here is a landscaper claims that his wife has also disappeared.
In 1960, Xenakis composed the music NEG-ALE for P. Kassovitz's "Vasarely", an abstract film on the artwork of Op-Art master Victor Vasarely.
A long tracking shot through the works of the great Saul Steinberg. His world of signs is beautifully revealed: a world of subtlety and cleverness, bitter humour and soft cruelty. Music by Bernard Parmegiani.
A César award nominated short feature.
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