Series about one of the most iconic Portuguese bands, DOCE. Doce were one of the first "girls band" in Europe, opening the way not only in the musical world, but also breaking barriers and prejudices in traditional Portuguese society. The series is based on real events, following the band's entire journey from its appearance in 1979, until the end of the initial formation. Doce has outlasted all critics and left its mark on a generation and a country.

Snu is a historical drama romance movie set in 2019. It revolves around the life of a minister.

The Waning Sky tells the story of two lovers united by a love as strong as it is forbidden, haunted by the imminent presence of their unfulfilled desires and the guilt that follows them. Their relationship is founded on a shared lie, a guilt that torments them both, and an unrelenting desire that threatens to consume them both. They married young, not knowing the depths of love or passion, but when they met, they knew they had found their soulmate. The characters Luís and Ana, played by Carla Chambel and Rúben Garcia, are united by a passion that lasts for several years, supported by furtive encounters, declarations of love, conflicts and guilt. The Waning Sky presents a poetic and lyrical narrative of the complexities of desire, love and the lingering pain of living with the consequences.

Your past already is the projection of your future. However, it was never more than a light in the sky.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

An artistically shot film that slowly blurs the boundaries between dreams and reality as it builds into an unnerving then touching climax.