In a world where technological progress is conceived as an arrow pointing forward, why do some people insist on continuing to work with equipment others refer to as obsolete? Analog Thinking answers that question by documenting the meticulous work of those who choose that path. The screen becomes filled with wonderful objects—optical toys, cameras, projectors, film stock cans, moviolas… And the testimonies from those creators invite us to discover a universe that has a lot to do with both craftsmanship and the collective experience—an instance of thinking with your hands that is only possible with curiosity and patience. And among the words, practices and artifacts, Analog Thinking also saves a place for the images that are born from all of that. And it reminds us that, even in this digital age, they still have a lot to teach us about waiting and making mistakes, surprise and beauty.

In a house hidden in the middle of the jungle, a clairvoyant is visited by three strangers who ask for her help in invoking an ancestor at a séance. This unwanted encounter soon turns into a nightmare.

The path of a man to restart his life after a personal tragedy that leads him to leave the city and move to an inhospitable place that allows him to be reborn.

Visions and nightmares of a woman who escapes her own shadow.

The autobiographical films made by German-Argentine experimental artist Marie Louise Alemann explore performativity and layers of the self. Paulo Pécora's portrait of Alemann, recorded in 2013, pays her loving tribute. Alemann's figure gradually comes into view from amidst a sea of black-and-white Super 8 grains while her voice speaks gently about how cinema entered her life.

A man descends down a spiral of memories from an old relationship. Melancholic set back? Or gateway to a new emotional perception?

Four friends live together in an abandoned house, wearied by the tedium of knowing that their lives will be tomorrow the same as today, a year from now the same as tomorrow, a century from now the same as a year from now. Being eternal was their sentence.

The arrival of a stranger -a thief running away from his accomplices- alters the routine of a big and solitary house in the Parana river delta inhabited by two women. That man carries a somber past behind him and moves towards an equally loo-my destiny. A film noir in a jungly landscape, with a dark and dense atmosphere.

A woman, a mountain, a nightmare.

More isolated than the sea, always light and powerful: confusion, my sister, the woman with 100 heads. Loosely inspired by the collages and graphic novels of Max Ernst.

A couple of ghosts spend their leisure hours playing in the fields, enjoying nature and the eternal words that Rainer Maria Rilke wrote over a century ago to a young poet. The film was shot with a photo camera.

A hallucinated journey through the people and architecture of the city of Barcelona.

On the boardwalk in Havana floats the cloud of uncertainties of an abandoned woman.

A woman's round trip to and from an uncertain future.