This film is widely regarded as the first film made by an African south of the Sahara. Labelled an “ethnological documentary in reverse,” it shows 1950s Paris from the cinematic perspective of a group of African immigrants. (Mubi)

A young fisherman dreams of motorizing his boat to make his work easier. His dream becomes reality, thanks to his courage and his determination but causes conflict between traditional values and the modern notion of progress.

The traditional struggle, known as Lamb in Wolof, which recalls the Greco-Roman struggle, is a popular national sport in Senegal. It has special rules and very strict. Every spectator can bet on his favorite wrestler in a festive atmosphere. The Dakar Arena serves as a showcase for the battles in the film.

Paulin Vieyra captures Ousmane Sembène, one of the greatest filmmakers of Africa, during the filming of Ceddo. L’Envers du Decor was completed after four years of production. As for Ceddo, it would be censored under the Senghor regime and until 1983 by the Senegalese authorities.

Newsreel of the third Festival of the Arts in the Nigerian city of Ife, launched in the city’s university. A celebration of the arts (traditional music, photography, sculpture, handicrafts, cinema) confronting the continent’s anglophone and francophone hemispheres. Among others, the report features the Nigerian Nobel Prize-winning playwright, poet, writer and essayist Wole Soyinka, the Senegalese filmmaker Ousmane Sembène and the Martinique playwright Aimé Césaire, who premiered the English version of The Tragedy of King Christophe in Ife for the occasion.

Directed by Paulin Vieyra.

A hunter dies in a lion's jaws and leaves a wife and two children. The elder child, who is now the only man around the house, is called the little husband. Because of this nickname, he becomes the laughingstock of all the children in the village. Desperate, the child runs away and drowns in the sea. His mother and sister will follow the same fate. The film is based on a story by Birago Diop.

Birago Diop appears as the pioneer of African letters. He knew the long journey of poets of blackness from the 30s. But, while young writers Antillean and African chose poetry to express the search for their identity, Birago Diop was located from the beginning of his work at the heart of the African literary world, adopting as a mode of expression the tale and the novel. Birago Diop evokes his memories: coming from the old Saint-Louisian bourgeoisie, he made his classes at Faidherbe high school, the first high school of West Africa, before coming to France to study veterinary medicine, an opportunity for him to participate in the first one. core of African Presence. His works are now on the curriculum of high schools in Senegal.

Sindiely tells the story of a greedy father wishing to marry his daughter to a successful fabric merchant, despite her love for another young man. The hostility of the family makes the father yield to his daughter’s wishes, allowing for the young couple to wed.

During an interview with the filmmaker Paulin Vieyra, the painter Iba Ndiaye recalls key moments of his life. He begins with his childhood in Senegal and his studies at the Lycee Faidherbe in St. Louis of Senegal, where he was drawn to design and graphic arts. African nature and its sweeping horizons remain however his main sources of inspiration.

The nostalgia of an African student in Paris for Africa. Graduation film by Paulin Soumanou VIEYRA, one of the pioneers of African cinemas.

Une nation est née depicts the progression of Senegal from colonization to sovereignty, shown allegorically through scenes of dance and celebrations of its newly-reclaimed independence.

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