She menage to save from a fire a bunch of pictures and a diary written by hand. Those words and faces becomes the last traces left from the man she one day knew and loved. Crossing mountains and roads, she tries to remake his steps. The places she vists bring people, gestures, memories and histories that slowly become part of her life.

A meeting with music, composer, poet and sociologist Negro Léo. He gives his thoughts on the development of music, Brazilian and international politics, the rise of neo-pentecostal evangelical churches and obsession over social media, in parallel with his own life story.

Reviewing home videos, filmmaker Paula Gaitán constructs a curious narrative about her youth while talking to her children. A filmic note in the form of an essay based on material made in Super 8. "Of which there are no limits, and full of affection and imagination", says the author.

A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.

Using home movies and other media, a filmmaker returns to Sintra, Portugal to search for memories of her late husband, Brazilian filmmaker Glauber Rocha.

During one night, a woman walks through Rio de Janeiro, and hears the music around: jazz, rock, eletronica...

A documentary about the creative process of Arrigo Barnabé

Author Paula Gaitán's journey through the streets of São Paulo recording her songs and sound inventions as she walks.

Music about becoming women in the contemporary world, their emancipation and struggles

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

A man's journey through time or infinite space.

A documentary about actress brazilian Maria Gladys, a strong presence in films by Júlio Bressane, Rogério Sganzerla among others.

Studies on sound based on the work of musician Arto Lindsay and the relationship of the body/camera with music. The film discusses art as lyrically as the biographee’s own work.

An experimental, visual poem that registers life and the architecture of Sintra (Portugal), captured by Paula Gaitán and featuring glimpses into her own photography art, rural/urban contrast, and memories with Glauber Rocha and family. Accompanied by the soundwork and music of L. Borgia Rossetti.

Drylands could be anywhere, just as Marcélia Cartaxo could be many women (including herself). The actress is placed in a situation in which she encounters nature and other female figures, in some instances, her doubles. Out of these encounters spring other possibilities that operate in the world of representation, which, in the film originate from the same imaginary power as children's games in empty lots.

For the KOGI Indians, there is a great mirror that divides two worlds, the perceptual and the sensory. The abstract world of meanings is not what we sensorially perceive, but the world of what the KOGI call "aluna." This world is what gives meaning to the destiny of life.

A film about the work of plastic artist Lygia Pape. Parting from Lygia Pape's installations to recreate her visual and sound universe.