A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big screen spectacle! This curious and curiously entertaining story involves one Jonathan Xavier and his devoted misfit gang who, incidentally, have been exiled to Earth from the far reaches of outer space. Johnny's former girlfriend Bliss has left him and stolen his Resurrection Suit, a cosmic, mind-bending uniform that gives the owner power over others. Along the way, there will be several highly stylized musical numbers, lots of genuinely humorous dialogue, and a wacky plot-twist or two, all beautifully captured on the very last of Kodak's black-and-white Plus-X film stock.

Underneath this nice sleazy-looking box art that has absolutely nothing to do with the films, comes this cool & bizarre little Horror/Thriller anthology thingy called Final Destinations, featuring 4 different macabre tales with "the road" being a general theme, as they all have some driving or vehicles involved in the stories. Playing out like the Twilight Zone or a "Tales From..." with plenty of black humor in the mix, they're all actually pretty interesting and quite well-made considering the small budgets I imagine the filmmakers were working with.

A young teenage girl is hired by a strange couple to watch their baby for the night. What the babysitter doesn't know is how strange the couple is, and exactly what kind of baby she is watching over.

A graveside visit turns out to be a never-ending nightmare for a grieving father. Restless spirits and ghastly visitations materialize in the cemetery as if to warn the man of some impending doom.

An homage to a lost horror film starring Lon Chaney, A Blind Bargain is inspired by a handful of remaining old photographs and newspaper reviews. This version is set in 1970 but commits to the same sense of dread and catastrophe as the original story about a young man who allows a psychotic doctor to experiment on his mother.

Terrifying Tales contains three independently-produced shorts running about 20 minutes apiece. Only one of the three; Paul Bunnell's "Final Destination: Unknown" (copyrighted 1989), is actually horror. The other two; Armand Garabidian's "Ten Seconds to Countdown" (copyrighted 1986) and Ephraim Schwartz's "Creatures of Habit" (also 1986), are, respectively, science fiction and drama with only slight mystery components. The three used here are connected only in that they were shorts made by UCLA graduate students. Sadly, none of them is very good. The opening title screens and closing credits have been left intact for each.

Aliens! Junkyard hoes! This highly varied anthology of whacked out stories, some of which have no real dialogue, pretty much all of which will leave you wondering what the hell is going on. Most have really cool music that sets the mood, some genuinely creepy moments and good atmosphere throughout. The first story, "The Visitant", features a man in a cemetery visiting his dead son's grave after he died in a car accident. He is soon tormented by visions of his son, as well as other spirits, including an axe-wielding ghoul! The second story, entitled, "Desire In A Public Dump", starts out with a man in a junkyard fixating on a paper with an attractive woman on it. The picture then disappears, and the woman is suddenly in front of him!

An experiment with a new kind of hallucinatory-drug from Africa goes terribly wrong for college student Jim Allen, and horrifically right for Professor Von Dorm. Jim is transported into another dimension as the professor conjures up evil spirits in an attempt to obtain eternal life. The bad guys win as Jim ultimately becomes "obliterated" from reality and is forever locked in a world governed by demons.