She tries to swipe her way to happiness, but after an exhaustive body count, she resorts to assembling her dream boy from left over parts. Welcome to the Meet Market!

Martin Scorsese in 1990 talks to T.J. English

In a dystopian world populated by animated wine glasses, a timid character tries to escape an important rite of passage.

A winsome mutation is shunned by a homogenous tribe of siblings. The solitude ends when another genetic misfit appears, together they spawn a new generation of unique and colorful individuals. Modifications in the genetic sequence results in diversity among organisms. These changes occur at many different levels, and they can have a variety of consequences. This film depicts a homogenous world of wine glasses, we see a small vitreous tribe that unwillingly spawns a vibrant genetic misfit. They immediately shun the "Freak" in the cruelest way, leaving the oddity alone and hopeless.

This 22nd edition comprises 10 films -- nine recent, along with one restored classic -- which deal with both the anxieties and hopes of a world faced with a seemingly endless series of existential crises. All are inventive, their tone ranges from the whimsical to the profound; their techniques, from stop-motion to hand-drawn to computer-aided.

Tyrannical wine glasses participate in a sadistic game. The game is interrupted by a self-sacrificial rebellion. After the oppressors are vanquished, a new game is quickly reconstituted among the former victims. Another installment in the “POUR” Series, set in a metaphorical world of living wine glasses. This story explores a twisted game of power dynamics, where two masters dominate their smaller subjects. The only way to end the game is to force the masters to lose interest. An individual glass, number 95, accomplishes this by initiating a self-sacrificial protest, shattering his own head with his fist. This becomes contagious as the others see the results. They all smash their own heads happily and the game becomes impossible to play. Realizing this, the masters move on. Tyranny requires slaves.

In this animated film, an innocent greeting between two people is quickly transformed into a tangled struggle, illustrating the twists and turns of a love affair. Relationships are visceral attachments, often leading to one dominating and consuming the other, then moving on easily and heartlessly. This film is autobiographical, a visual metaphor of an experience I had in my youth with one of my first girlfriends, perhaps the first love of my life. We learn a lot from experiences like this.

In this animated short film, a dystopian environment contains brittle glass characters, they are divided into two sides: the broken and the intact. The spirits that dwell within are either pure or rotten. The broken remain on their side, to waste away into shattered bits. But the shards have a healing property, a process exploited by an ambitious dark soul who desires to be whole, and part of a possessed, twisted, robotic tribe.

A lineup of glasses joyfully share ideas, growing in scale after each exchange. But the jubilant cycle is halted by a stubborn jar whose head is already filled. Director’s notes: "Pour 939" is an animated cartoon that was initially drawn as an exercise in visualizing the close minded, and their role in halting a fulfilling exchange of ideas. This simple metaphor was never supposed to be a stand alone film, but the more time I spent drawing it, the more I thought it could hold it's own water (or wine). Interestingly, this short film has no real story, it's simply an illustration of an idea: The moment when people who freely share thoughts are confronted with a person who is closed up. I chose the number 939 because it felt very stubborn and limited to me.

"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.

You are free to choose, as long as you choose red or orange. A powerful pouring machine fills glasses with one of two selected colors. But one glass, a curious fellow with a spring in his step, has the tenacity to mix things up.

"POUR 101" delves deeper into the peculiar cartoon world of living and breathing wine glasses. This is the sixth animation of the series. A morphing type of synthesis occurs when a blue glass awkwardly approaches a glass filled with red. But instead of a perfect mixture, the Red glass retains size color, where as the blue glass inherits an amalgamated mixture, causing him to grow exponentially. Attempting to obtain this abstract growth, the Red glass goes on a frustrated sprinting rampage through multiple blue colored peers, only to stumble upon an empty glass. When performing the exchange on this glass, the red glass is completely drained of its identity.. and now is empty, as the chipped glass walks away full, pleased with its new found contents.

A boy drinks from a strange potion and discovers the many layers of his identity.

Pills and capsules are choreographed into a cacophony of shape, color and size, resulting in a satirical commentary about our cultural, recreational, and economic infatuation with prescription drugs.

There are currently 393 million firearms in the US. This film shows 2328 of them. Take a look. Blink, and you’ll miss five. The frightening visual power of guns gets a whimsical treatment with jazz percussion, and a sizeable dose of cultural irony.

Through an escalating series of torture, a possessed sock puppet embodies fear and willful self-destruction.