We Accept Miracles is a heartwarming comedy-drama that explores the idea of miracles and the power of human connection. The story follows a group of individuals who come together in a small town and discover that sometimes the most extraordinary things can happen in the most ordinary of moments. Through laughter and tears, they learn to embrace the unexpected and find hope, joy, and miracles in each other.

In the comedy movie My Best Enemy (2006), a man and his son get entangled in a local blockbuster-like situation involving friendship, blackmail, and a cheating husband.

A group of friends plan a hunting trip in the mountains. Chaos ensues as they encounter wild animals, unexpected guests, and comical mishaps along the way.

Il commissario is an Italian television series.

The life of Franca Malorni, exponent of the good bourgeoisie of the capital, suddenly changes when her husband dies suddenly. The woman begins to pour her attention on the three daughters, obliging them to have a Sunday lunch with their families.

Five soldiers and their punishment.

Giacomo, the main character, 35 years of laziness, is a man who doesn't know and doesn't want to fight. He is a introvert curmudgeon, a little bit nerd but not very social, who walks with the look downward on his device without giving to the people what they would like from him: only a little bit of attention and enthusiasm. He loses his job, he is left by his wife and coincidentally he remains closed in the women's bathroom of the art-house cinema, together with the owner's small dog.

Milan is a Belarusian immigrant who arrived in Rome with the dream of being able to change his life but, unable to take advantage of his degree in engineering, he finds work as a fake centurion, in front of the Colosseum and dealing with the crowd of tourists with whom he has his photo taken. His employer is Sergio, a former stuntman and self-styled invalid who is busy with a thousand imaginative jobs just to make some money and who shares a house with his sister Maria, a hotline operator. As the competition in front of the Colosseum becomes increasingly tough, Milan devises a plan to defeat everyone and, using his university studies, builds a real chariot with which to attract as many customers as possible.

Marcello is a professional film restorer and an avid cinephile. While working on some of the most popular titles of Italian cinema, he comes across a strange figure almost hidden among the extras - a man wearing a bowler hat and looking directly toward the camera, perhaps even at Marcello himself! He finds the same man in many other films from different movie ages. He grows obsessed with this figure, even if it seems Marcello is the only one who can see him.