Wildside is a drama film from 1998 about a man named Georg, who is HIV-positive. He tries to protect his childhood friend's grave while dealing with a stolen money and a terminal illness. Along the way, he confronts his own past and struggles with his relationships and loyalty.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Latibær is full of colourful characters who have a very negative attitude towards physical activity, healthy food and so on. They prefer to stuff themselves with sweets and watch television all day. As a result they are all weak and flabby. To change this, the Sports-Elf arrives, and through his positive attitude, driving magnetism and by not taking no for an answer, he persuades the inhabitants to change their destructive lifestyle.

Two men in their late twenties, Jim and Frank, old friends from childhood, both emaciated and very grunge guys, meet again after many years. Jim, trying hard to get his life back on track, is pulled in to his old habits of drugs and crimes by Frank and his friends from their old neighbourhood. They set out to help Frank's father to brake out of jail who in return finances their "shopping trip" to Amsterdam.

Soon after Elizabeth receives this text message, her mother isn't the only one lost in sleep. Elizabeth's car has broken down. It's freezing cold, no sign of life nearby. She just has to wait, patiently. The recovery guys will be here soon, Elizabeth. Till then, she warms her young hands on the vents, drifts into a strange slumber, followed by an even more surreal awakening. Icelandic landscapes merge with Elizabeth's memories. Fears are magically transformed into comforting and fantastical fabrics. Father, upstairs, alone.

Thick Skin is a coming-of-age drama that explores the sexual awakening of a group of teenagers. The story follows their experiences with attraction, sensuality, and sexuality, as well as the aftermath of a sexual assault. It delves into the complexities of navigating a world filled with horniness, desire, and societal pressure. Through the narrative, the film highlights the importance of understanding consent and confronting the consequences of harmful actions.

Salt is a powerful drama that tells the story of a deeply troubled woman who must face her past and fight for her future. The film explores themes of redemption, forgiveness, and the power of the human spirit.

A middle aged worker does all he can to provide his wife and daughter with good living conditions. They are ungrateful and do not return his affections. When he has an accident at work and goes home in the afternoon, he finds the time to think about how to solve the communication problems in his family. This takes however an unforeseen route.