Canavial de Paixões is a Brazilian telenovela produced and shown by the Sistema Brasileiro de Televisão from 13 October 2003 through 22 March 2004. Based the original text of Caridad Bravo Adams, it was translated into the Portuguese for Enrique Zambelli and Simoni Boer, with supervision of text of Ecila Pedroso and general direction of teledramaturgia of David Grimberg. It had 118 chapters. Bianca Castanho and Gustavo Haddad are the main protagonists. Débora Duarte, Helena Fernandes, Oscar Magrini are the main antagonists.

A group of friends find themselves transported back in time after they discover a mysterious device. As they navigate through different eras, they must find a way to return home before they alter the course of history.

In Os Parças, four friends in São Paulo, Brazil, come together to form a heist team. Their mission is to steal a valuable wedding dress, but they face various obstacles along the way, including blackmail, encounters with the police, and the dangerous world of contraband. As they navigate through these challenges, their bond and friendship are tested. This comedy movie is filled with comic moments, celebrity impersonators, fancy parties, and drinks.

Angel works in a wedding dress store. Ulisses, her boyfriend, works as personal trainer. They are swallowed for the television and, to leave, need to discover how to use the Ulisses' ring.

Bruna and Rosa, tough girls from the Brazilian countryside, enter a pickup truck race to show their driving skills to their friends.

On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?

In a huge and empty neoclassical mansion surrounded by an indefinite war, the daughter of a bourgeois family returns from Europe bringing a Kafkaesque toy. Because of this object without specific usefulness, everyone in the family begins to discuss life and discover their own weaknesses and follies. This process of self-discovery will lead them to meet phobias, hypocrisies and prejudices, but also their most intimate truth.

In the 1950s, while radio is slowly being surpassed by television as the leading broadcast medium, Tito Balcárcel, a voice actor, becomes romantically involved with Lúcia, a fan of his who drags him into a mysterious crime plot.

Jezebel is a seasoned TV reporter focused on the next juicy story that will generate the highest ratings for the TV station. She is on assignment to track down a man named Elias, who supposedly performs miracles, in the rugged backlands of northeastern Brazil. Bent on getting the next sensational news, Jezebel is determined to prove Elias a charlatan.

In the 1980s, a journalist sets out to find the whereabouts of a famous singer/actress who disappeared decades earlier. During his search, he goes across several states in what ultimately becomes not only a search for a missing person but a journey of self-discovery.

A musical about a woman who hates music.

It is a documentary about the trajectory of the liberation of the Brazilian woman's body and exposes the differences of this trajectory to white and black women. The film presents interviews, archive images that illustrate some of the factors that contributed to this liberation in Brazil - such as music, dance, fashion and the contraceptive pill - and proposes a discussion about feminism through the deconstruction of the masculine. The film incorporates fictional scenes where men do not realize their macho and racist behavior and full of class prejudices, rooted and accepted by society.

Hugo Kari is a famous singer who decides to take a break from his schedule to find his father, ambassador Mário Menezes. Together, they try to adjust a relationship shattered by time and conflict.