Abani, a young man from a poor family, elopes with Sudha after her uncle forces her to marry a sick man. However, a misunderstanding among his family members threatens to destroy their relationship.

Chandranath, a complex and intriguing character, embarks on a journey of self-discovery amidst numerous challenges and tribulations. As he navigates through various ups and downs, he unearths hidden aspects of his personality and finds his calling.

Jamalaye Jibanta Manush is a comedy film based on a novel. The story follows the life of a man named Jamal who dies and enters the afterlife, experiencing both heaven and hell. He encounters various humorous situations and learns important life lessons along the way.

Sabar Uparey is a Bengali drama movie released in 1955. The movie revolves around a mysterious love story filled with romance and suspense. It explores the emotions and struggles of the characters involved.

Rajat and Dhiren are at odds with each other when the board decides to replace the latter with the former. Things take a turn when Dhiren decides to seek revenge for his humiliation.

Raikamal narrates the story of Rai Kamal, a devotee of Lord Krishna. Rai Kamal and Ranjan are childhood sweethearts. When Ranjan grows up he wishes his desire to marry Rai but his parents are against this match as they are Brahmins and Rai Kamal was a low caste Vaishnav.

Rani Rashmoni is a Bengali Movie by kali Prasad Ghosh

A 1957 Bengali Romantic Drama Film directed by Chitta Bose, featuring Uttam Kumar & Mala Sinha in lead roles.

Nabakumar, a young gentleman from Saptagram, got lost in a forest while returning from pilgrimage in Gangasagar. He met a Tantric sage who trapped him, intending to make him a sacrifice to goddess Kali; but was later freed secretly by Kapalkundala. The priest urged Nabakumar to take Kapalkundala away from her wicked foster-father and also showed Nabakumar his way to Saptagram. Now re-christened as Mrinmoyee. The sage, on the other hand, got annoyed at Kapalkundala’s betrayal and began to plot his revenge. In the meantime, Nabakumar met Padmabati, his first wife, who was converted to Islam by his father, making Nabakumar to desert her. Padmabati, now renamed as Motibibi, expressed her love for Nabakumar, but he refused her. Later the sage came to Saptagram and met Motibibi. The sage wanted to kill Kapalkundala, but Motibibi wanted to separate her from Nabkumar only.

The story revolves around a group of hardened bachelors who meet regularly, and eventually settle for marriage. Purna is a newcomer to the group of bachelors at Professor Chandra Basu's house. Also attending are three other bachelors Akshay, Bipin, and Shirish. Akshay is ousted from the committee when he gets married. He suggests that all members meet at his place instead. Nirmala, the Professor's daughter also joins the crowd becoming the only female member. Purna is attracted to Nirmala and suggests marriage, which Nirmala refuses. Akshay has three sisters Shailabala a child widow, Nripabala and Nirabala. His mother is busy fixing matches for Nripabala and Nirabala. Finally, the two sisters are matched with Shirish and Bipin, while Nirmala and Purna get together.

A son in a rich family has gone missing for a long time. A man intrudes into the family feigning as their lost son. He enjoys life with the wealth in the family. However, when the wife approaches him with trust and affection his conscience demands a hearing. Even though he is an imposter he does not want to take advantage of the wife's innocence. Finally, it is a victory for the conscience.

A run-of-the-mill girl.

A 1956 Bengali Drama Film directed by Chittaranjan Mitra.

A 1957 Bengali Drama Film directed by Santosh Gangopadhyay.

The story revolves around the last life crisis of Jamini Mohan and his wife. After his retirement, Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of a distant relative, became their mental hope. After facing various humiliations from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually, Gobinda became Santoshini's absolute refuge.