Everlasting Moments is a drama film based on a true story set in the early 1900s in Malmö, Sweden. It follows Maria, a working-class woman who discovers her passion for photography and finds solace in capturing moments of beauty amidst her challenging life. She navigates through an abusive husband, an alcoholic father, and the hardships of an impoverished family. Through her lens, Maria finds strength, escapes her reality, and discovers her own voice as a female artist. The film explores themes of unrequited love, family relationships, and the role of art as an empowering tool.

Psychological drama about the meeting between a neo-nazi and a Jewish doctor.

A man tells his wife about a dream he had last night, he was in Paris and the Eiffel Tower was missing. She does not understand however, what is this Eiffel Tower of which he speaks?

This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...

By chance Erik meets Viivi, an Estonian violinist playing in the Stockholm subway. They start an intense romance. Erik's mother dislikes the relationship, not having forgotten her escape from Estonia during the war. She reveals facts from the past and Erik finds out that his Swedish father adopted him. His real father was an Estonian nazi. Viivi has grown up in communist Estonia where her father was a party member and worked for the KGB.

The real horror is worse than - than a horror film, worse than - than the worst horror film. A story about some who are producing horror and special effects.