Founded in 1919 by Walter Gropius, Bauhaus was supposed to unite sculpture, painting, design and architecture into a single combined constructive discipline. It is a synthesis of liberated imagination and stringent structure; cross-medial concepts that embellish and enrich our existence, illumination and clarity, order and playfulness. But Bauhaus was never just an artistic experiment. Confronted with the social conditions of that particular time, as well as the experience of WWI, the movement concerned itself with the political and social connotations of design from the very outset. Hence, Bauhaus history is not just the history of art, but also the history of an era that stretches from the early 20th century to the modern day.

Ilya Kabakov is considered one of the most important contemporary artists worldwide. Born and raised in the Ukraine in the period between Stalin and Gorbatschow he left the country in the 80s. In his Installations and his numerous paintings Kabakov creates a world of its own, which leaves the heaviness of socialist and post-socialist life far behind. The film links Ilya Kabakovs artistic spaces with insights into Russian everyday life, which itself sometimes appears like an installation by the artist.

In the past, those who were convinced that they were being pursued by invisible rays or that their telephone conversations were being monitored were considered to be paranoid. Nowadays, people are being monitored as soon as they produce any sign of life. That is just the beginning, however. The research is ongoing and the reality is not far behind.

The bauhaus school has been and still is the most influential art School not only in Europe. Till today the Bauhaus is remembered to be the nucleus of modern architecture and design. But bauhaus was more than a cubic building or a steel tube chair. It is a model till today. Bauhaus-teachers has been international well known artists as Wassily Kandinsky, Lyonel Feininger, Paul Klee Oskar Schlemmer, the architects Walter Gropius and Mies van der Rohe. The documentary shows how the school started after World War I, how it became revolutionary and tells the true story about the closing and the enmashment of some of the Bauhaus-people during Nazi-Germany. Most of these is told by former students at the Bauhaus male and female Bauhaus-alumni.

Designed as an exciting hybrid between documentary and fiction, this film offers a special look at the nuclear resistance in Gorleben in the years 1981-1985 in Germany. A fictional acceptance researcher tries to mediate between the fronts of the anti-nuclear movement and the police. With his sociological lectures, the committed scientist often contrasts the political utopia of the opponents of nuclear power with the given political reality in a tongue-in-cheek manner. Exciting ironic-self-critical nuances in the documentary material, which shows the turbulent events in the Wendland in the 1980s.

Documentary film.