Malparida is a 2010 Argentine telenovela aired by Channel 13 in the prime time. It run from April 2010 to February 2011. It is protagonized antagonistically by Renata, a cold and scheming woman seeking revenge against a man that had caused the death of her mother. The term "Malparida" denotes in Spanish a woman of questionable reputation.

The story stars Antonella (Andrea Del Boca), a young woman who wants to be an actress. Working as an entertainer for children's parties, characterizing the clown Plin-Plin, she meets Nicolás (Gustavo Bermúdez) who is actually her sister Natalia's lover. Before long, Natalia appears dead. Although it is believed that it was a suicide, Antonella thinks that he murdered her, and seeking revenge, he infiltrates the world of high society.

A man discovers his uncontrollable sleepwalking leads him to explore his deepest and forbidden desires in the streets of Buenos Aires.

In Buenos Aires, a poet known as Oliverio falls in love with Ana, a young prostitute who inspires him to explore the dark side of love and art. As Oliverio questions his own desires and the meaning of life, he delves into the realms of poetry, eroticism, friendship, and surrealism.

"Celeste, siempre Celeste" is the sequel of "Celeste". It begins with Franco, Celeste and their baby son Lucas finally together and happily preparing their wedding. They marry and leave for a honeymoon. Meanwhile, Franco's mother, Teresa, who hates everyone, especially Celeste (who Teresa still thinks of as a servant although Celeste inherited half of what Teresa considers her fortune), plans Celeste's kidnapping and murder. Celeste is kidnapped but escapes. During

Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.

In 1982 Buenos Aires, a skilled hitman finds himself in a dangerous game of cat and mouse as he tries to solve a mysterious crime while evading the authorities.

A woman who believes she is widowed and struggling with memory loss decides to join the military in hopes of finding clues about her past. As she meets new people and faces challenges, she begins to uncover the truth about her past and the secrets that have been hidden from her.

A woman and a man known through a radio program dedicated to unite in their lone pairs listeners.

A man and a woman navigate the complexities of love and life through multiple lifetimes, discovering the power of shared dreams and the possibility of rebirth.

Who Says It's Easy? tells the story of a photographer who becomes pregnant and finds herself torn between her lesbian neighbor and a potential love interest. With unexpected twists and turns, the film explores the challenges and joys of navigating relationships.

Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a "web camera" which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

A retired boxer is willing to do anything to return to the ring and conquer the woman who never wanted to reciprocate him.

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

In this suspense story, the main character, Johann Neudorff, immigrated to Argentina from Germany after World War Two, and has become a successful businessman there. He is unconcerned with the nature of the government there, which at the time of this film (1978) is a military dictatorship. His comfortable existence is disrupted when he discovers that his beloved daughter Laura has become the lover of a political activist who is on the military's hit list. When his daughter is kidnapped, Johann attempts to use his government connections to free both her and her lover. However, his son Alfredo undermines his efforts, and Johann himself is incarcerated in a military prison, but not before he discovers that his daughter and her lover are both dead, killed by the regime.

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.