Batch '81 is a dark and intense drama about the horrifying experiences of a group of college students who join a fraternity that turns out to be more violent and dangerous than they expected. The movie explores themes of hazing, violence, and the dark side of group dynamics as the students are subjected to brutal initiation rituals and are forced to confront the cruelty and sadism that lurks within their own selves.
Kisapmata tells the disturbing tale of a domineering father who murders his own daughter, leading to a series of tragic events. With elements of horror, mystery, and suspense, this gripping movie explores themes of family dysfunction and the dark secrets that lie beneath the surface. Set in the backdrop of 1980s Philippines, the story delves into the complexities of love, jealousy, and the consequences of unchecked power.
Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”
Mike De Leon imagined Citizen Jake “as an indictment of the Duterte regime using its horrific forerunner [the Marcoses] as a template of authoritarian rule,” and he caused a stir, as usual, in posting this promotional short for the film on social media. This short is essentially a Director's Statement in video essay form, and has been screened at New York's MoMA in their Mike De Leon retrospective.
A nun who acts as a counselor in a home for unwed mother undergoes political awakening when her friend and namesake belonging to the same congregation as hers inspires her to get involved in the struggle for justice and freedom of striking workers in a cooking oil company.
A coming-of-age story of college student Joey, who's lost all sense of direction. His only inspiration is music, but he is yet to finish writing a song. His life changes when he meets Ana and his world is suddenly turned upside-down.
In The Rites of May, a photographer in the 1970s becomes possessed by a spirit during Holy Week and experiences supernatural events. The story explores themes of truth, lent, and demonic possession.
Mike De Leon's entry into the omnibus "Southern Winds" where he follows Julio Madiaga into the new world of Filipino Entertainment.
In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.
A drama of the personal saga of a young man struggles with the contradictions within his own social class and the demands of a dysfunctional political family in the Philippine Islands.
A man rides a motorcycle at night. His lover waits for him at home.
Mike de Leon's only video feature to date, a personalized adaptation of John Fowles' chilling The Collector.
Filmmaker Mike De Leon released this short on the eve of the 1986 EDSA Revolt anniversary. During its 5 minutes, De Leon draws a harsh critique of the Philippine president, Rodrigo Roa Duterte.
Two filmmakers try to create a film venturing on the life of Jose Rizal. Before they do that, they try to investigate on the heroism of the Philippine national hero. Of particular focus is his supposed retraction of his views against the Roman Catholic Church during the Spanish regime in the Philippines which he expressed primarily through his two novels Noli Me Tangere and El Filibusterismo. The investigation was done mainly by "interviewing" key individuals in the life of Rizal such as his mother Teodora Alonso, his siblings Paciano, Trinidad, and Narcisa, his love interest and supposed wife Josephine Bracken, and the Jesuit priest who supposedly witnessed Rizal's retraction, Fr. Balaguer. Eventually, the two filmmakers would end up "interviewing" Rizal himself to get to the bottom of the issue.
In 1988 and 1989, the late Cesar Hernando, writer Ian Victoriano and I started a series of interviews of LVN actors, directors and technicians with the intention of publishing a book on the story of LVN Pictures, one of the major studios of the studio era. One of our interviewees was the great character actor, Joseph de Cordova. In 2006 I made a short documentary using excerpts from that thoroughly engaging interview and included it as an added feature to the privately authored DVD of “Biyaya ng Lupa,” where Joseph plays Bruno, one of the actor’s most memorable roles.
Signos (1984) is a Super 8mm film documentary that was a true product of its time, a collaboration by film artists and writers, who, in spite of varying political persuations, were united by one common goal – ousting the reviled Marcos regime. It features interviews of courageous personalities who challenged the autocratic rule of the Marcos family.
an Asian anthology: Mirage, Aliwan Paradise, The Tree Of Life, and The Tokyo Game.
"Signos" features interviews of courageous personalities who challenged the autocratic rule of the Marcos family.
“A short video about the return of the Marcoses in 2016, when Bongbong ran for Vice-President. This was updated in 2022, when he became President” (Mike De Leon).