Political comedy series about the political advisers of the ministerial cabinets and the opposition and their connivance with economic and political interests that determine how decisions are made.

In the year 2069, a king without a crown faces a fateful year filled with eroticism.

To Die Like a Man is a drama film that tells the story of Tonia, a transgender woman who is facing personal and professional struggles in her life. As she comes to terms with her impending death, she also grapples with her estranged son, her sexuality, and the challenges of being a transgender parent. The movie explores themes of identity, acceptance, and the complexities of human relationships.

1907. The Porto Chamber has just been won by the Republicans, in full monarchy, three years away from the revolution. Republican ideas are taking hold and monarchical institutions are beginning to be shaken. However, the Sociedade Gastronómica de Lisboa resists and apparently is one of the strongest bastions of the monarchy. But winds of change blow within the walls of the traditional and conservative Society. A young member, Dr. Duarte Rodrigues, decides to run for president, held by the mysterious Prositt, who made his fortune in Africa. Duarte, stating that he does not want to betray the illustrious president, but as he is somewhat worn out and hopelessly dazzled by the leadership, he is able to artfully convince others to convince him, Duarte, to move forward, serving them for this. , in a dinner of taking power, a dish of unexpected excellence and very original.

Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.