Black Girl (1966) follows the story of a young Senegalese woman who moves to France to work as a domestic worker for a wealthy family. She faces discrimination and alienation in her new environment, as she struggles to find her place in a racially divided society. The film explores themes of post-colonialism, racism, and the complex dynamics of employer-employee relationships.

Cuties (2020) is a coming-of-age drama that follows an 11-year-old girl as she rebels against her traditional family and explores her femininity through dance. The film explores themes of friendship, first menstruation, and the sexualization of minors in today's internet culture.

As World War II rages in Europe, a conflict arises between the French and the Diola-speaking tribe of Africa, prompting the village women to organize their men to sit beneath a tree to pray.

Meet Ousmane Sembene, the African freedom fighter who used stories as his weapon.

Monsters fight with each other in a dystopian world, playing out the revenge of their human breeders.

Exploring the extraordinary contributions of women filmmakers from Africa and the diaspora, Beti Ellerson’s engaging debut intersperses interviews with such acclaimed women directors as Safi Faye, Sarah Maldoror, Anne Mungai, Fanta Régina Nacro and Ngozi Onwurah with footage from their seminal work. With power and nuance, Ellerson also confronts the thorny question of cultural authenticity by revisiting the legendary 1991 FESPACO (Pan-African Festival of Cinema and Television of Ouagadougou), in which diasporian women were asked to leave a meeting intended for African woman only. This film is both a valuable anthology and a fitting homage to the pioneers and new talents of African cinema.

The life and death of Robert Moussombe, the leader of an unnamed African state. Moussombe is a fictionalized portrait of assassinated Congolese leader Patrice Lumumba, and the film's events are a pastiche of the Congo Crisis in 1960s.