The film observes and records the people travelling, adding to this very simple but effective visual set a pure (and magic) pot pourri of designed and recorded voices and sounds. Hereby not only the people become human beings alive, but also the city awakens.

In the history of the Russian ballet theater, the name of Olga Spesivtseva occupies a place no less significant than the names of Anna Pavlova and Tamara Karsavina. The audience first saw her in 1913 as a beautiful young girl, gentle, captivating and timid, with huge eyes full of mystery. In the early twenties, this girl was a real idol of youth and a conqueror of Paris, and in the early nineties, after a long mental illness, she ended her days away from her homeland, in one of the nursing homes. A star and a victim of her time, a forced hermit and a prisoner of madness, her life is a tangle of glory and oblivion, her name is surrounded by an aura of mystery, delight and contempt...