Behind a façade of legitimacy, the Fournier-Costa family control illegal betting, drug trafficking and other lucrative pursuits in the region of Valmont.

Twins Simon and Jeanne travel to the Middle East following their mother's death to uncover their family's past. Through a series of flashbacks, the movie tells the story of their mother Nawal, who was impregnated by a refugee and faced numerous challenges during the Lebanese Civil War. Nawal joins a radical organization, becomes a prisoner, and gives birth to twins. Upon her death, Nawal's will requests that her children find their father and lost brother. Simon initially refuses, but Jeanne continues the search and eventually uncovers the truth.

Marianne is a rising star in the highly competitive world of video game design. At the dawn of her thirties, she develops her own game in a large Montreal studio where her fiancé, Julien, also works. After participating in a panel, where she denounces the trolls who pour their venom on the Internet, Marianne is drawn into a controversy that ignites social networks. In the wake of this storm, she is the victim of an aggression of which she will have no memory. A total blackout that haunts her like a nightmare and tries to elucidate the mystery.

Les Rescapés is a Canadian television drama series, which debuted on Télévision de Radio-Canada in the 2010-11 television season. The series stars Roy Dupuis and Guylaine Tremblay as Gérald and Monique Boivin, the patriarch and matriarch of a family from 1960s-era Montreal who find themselves mysteriously transported into 2010. The cast also includes Maxim Gaudette, Ève Lemieux, Antoine L'Écuyer, Benoît Girard, Céline Bonnier and Yan England.

Polytechnique (2009) is a crime drama based on the horrific events of the 1989 Montreal Massacre, where a misogynistic gunman entered the École Polytechnique and targeted women, leaving a trail of destruction and tragedy. The film dives into the psychological turmoil of the victims and sheds light on the gender-based violence still prevalent today. With its stark black-and-white cinematography, Polytechnique creates a haunting portrayal of one of Canada's darkest days.

In a restorative justice centre, Bérénice (Mélissa Désormeaux-Poulin) accompanies people who are victims of crime or who have committed it to promote dialogue among themselves and the reparation of the harm caused. Its objective: to help these deeply wounded people turn a traumatic page in their history to better enjoy their present and their future.

In 'Confessions of a Hitman,' a paid assassin working for the biker gangs of Quebec cunningly evades capture by both the police and the underworld over a span of 25 years. Throughout this time, the assassin successfully carries out 28 hits, showcasing their sharp instincts and ability to outmaneuver powerful adversaries.

Devastated but furious after his girlfriend dumps him on a metro platform, 23-year-old Cedric takes off with his unfinished novel in his bag. Fate leads him to a large, rundown house owned by Isabelle, a onetime star pianist and faded beauty. Isabelle, now a lonely 76-year-old alcoholic, passes her days at her piano and with her group of eccentric boarders. From their first meeting, Cedric knows that Isabelle is the love of his life, and Isabelle realizes he is her last chance for love. Driven by their intoxicating passion for one another, they plunge headlong into a love affair where they are pushed to the brink of hate and death, even escaping reality to keep their love alive.

Six people, some more depressed than others, living through the worst day of their lives.

In Montréal, a retired hitman is forced to take charge again and commit two murders without knowing he is about to trigger a series of events that will put his daughter's life in danger in Paris.

Hedonistic philosopher-cum-delinquent, Antonin always finds the right word to win himself both the compliments and the rebukes of his fellows. Antonin never misses a chance to exploit both the goodness and the patience of his wife, Églantine. He is also a constant source of disappointment to his sister, Solveig. Busy trying to avoid Rose the tax collector who is after his neck, Antonin cannot get his attraction and desire for the beautiful Cassiopée out of his skull. Tormented, Antonin must now devise the right scheme and the right words to apologize to Aurore, one of his victims. Between these five women, Antonin gets stuck.

1978. In a small village in Bas-St-Laurent, Guy’s tragic death is a shock for the Leblanc family. For many years, the real cause of his death is kept hidden from some members of the family, including his son David. The latter in turn starts his own family with his wife Marie. He lovingly raises his children Laurence and Frédéric, but deep within him harbours a persistent melancholy.

During a brief stay in Florence, Camille believes she's victim of an enormous flood. Urgently taken to a psychiatric hospital, she is diagnosed with the Stendhal Syndrome: a temporary psychological disorder well known to affect tourists who are too vulnerable to the beauty of art work. This disorder which is considered benign doesn't worry the medical staff who asks that she be sent back to her country. Back home, she has to come to terms with a tragedy she has wanted to flee: her mom had gone missing right before her departure. Convinced that she has to move on with her life for her mental sanity, Camille decides that it is time to accept the fact that her mother will never come back. But when she goes to Matane, the last place where her mother had been seen alive, Camille comes across many clues that will propel her into an emotional roller coaster.

The 3 L'il Pigs is a comedy movie that follows the adventures of three little pigs as they navigate through hilarious situations. The movie explores themes of sibling relationships, adultery, infidelity, and cheating with a touch of gay theme. Set in Quebec, the film provides a humorous take on the lives of these pigs.

Follows a young woman named Audrey Benac on a research odyssey of ghostly possession in which she endeavours to restore the legacy of the forgotten Canadian violinist Kathleen Parlow.

Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.

An absurd dramatic comedy about Phoenix Jones, an overly dedicated travel agent who suffers from a burnout after the downsizing of the travel agency where he works.

After his loved ones betray him, a man in his 30s goes to a lakeside cabin to hide from the world. But instead of finding peace, he has to deal with a kooky neighbour, a missing drowned man, a crook on the lam, a stripper who hides out with him, and the cop who’s madly in love with her and looking for her with murderous ardour.