In 1917 Burma (now Myanmar), a British diplomat is set to marry his fiancée, but after a sudden panic, escapes to Singapore, sending her on what evolves into a chase across Asia.

In 'The Tsugua Diaries,' a young woman stumbles upon a concealed diary filled with enigmatic entries. As she delves deeper into its pages, she becomes obsessed with solving a perplexing family mystery. The diary's cryptic contents take her on an emotional journey of self-discovery, forcing her to confront long-buried secrets and redefine her identity.

Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.

A portrait of Sonja, adventurer of the twentieth century, living on an island that she built by herself: Motu Maeva.

The film travels at the pace of the seasons through the real and fictional story of a region in Portugal, the Alentejo, and the peoples who have lived there. It begins at a present with no memory and travels back in time to the immemorial time, before the invention of writing. Along the way, it crosses more or less distant pasts: the work and life of German archaeologists detained far away from home during WWII, through their archives and letters; the occupation of the land by the rural workers after the revolution in April 1974; stories kept in the collective memory. During this journey we meet women and men, old people and children, shepherds, hunters, beekeepers, archaeologist, teachers and storytellers, and also ruins, dolmens and a thousand-year old olive tree. All contribute, with their memories, believes and knowledge, to compose a poetic, political, multi-layered and polyphonic portrait of the region. Maureen Fazendeiro

A chronicle of a bloody war that pitted the inhabitants of the hamlet of Canudos, led by their prophet, against the army of the young Brazilian Republic in 1897.

A town in the greater Parisian suburbs, its housing estates, its rose and vegetable greenhouses, its inhabitants. It is winter and a Roma camp has been set up. While most of the local residents are outraged and demand the expulsion of these new neighbors, a few women will try to help them live on the land they occupy.