Through post-porn, performance and wrestling, Puck tries to figure out her place in the world.

On October 4th, 2007 Arantza, the director of the film, was detained and taken to prison. She remembers a few things about those days: endlessly walking around the prison exercise yard, swimming competitions, Rasha's prison journey... After 918 nights locked up, Arantza is set free. From then onwards, she recorded her memories and doubts, which are heard throughout the documentary as a kind of fragmented memoir.

Housewife April Flores' washing machine breaks down. When dykey plumber Manon Praline arrives, April turns on her bimbo charm, and reveals her real intentions. Soon Manon is sliding into April's velvet robe, and she wants that wrench where?!

While COVID-19 times pushed us to redefine relationships and desires, Salty Chéri and Manon Praline decided to play consciously with the power dynamics between filmmaker and performer: Salty set up three blind dates for Manon. Being uninformed about her partners or what would happen, she had to let go of expectations.

What does a violent flirtation with the camera look like? Performer Manon Praline and director Evie Snax take us on a sensual solo striptease - loaded with trans * femininity, queer romance and radical self-acceptance.