Deewaar (1975) is a story of two brothers who are separated by their choices in life. One becomes a policeman while the other becomes a smuggler. The movie revolves around their conflicting ideologies and the consequences of their actions.

Trishul (1978) tells the story of a young man who swears vengeance against his stepbrother and father after his mother's death. He faces numerous hardships and struggles as he tries to expose the truth and bring justice to the ones who wronged him. The film explores themes of love, family, and the consequences of betrayal.

Noorie is a 1979 Hindi movie produced by Yash Chopra, and directed by Manmohan Krishna. Noorie (Poonam Dhillon) lives in the Bhaderwah valleys with her father, Ghulam Nabi (Iftekhar) and her dog Khairoo, she has a boyfriend Yusuf (Farooq Shaikh), they decide to get married, the date is decided and preparations begin. But fate had something else in store. As another villager Bashir Khan (Bharat Kapoor) takes a liking to Noorie and approaches Noorie's father for her hand, to which Ghulam Nabi refuses.

Upkar is a 1967 movie directed by Manoj Kumar. It tells the story of a patriotic farmer who becomes a war hero. The movie explores themes of redemption, idealism, patriotism, cynicism, and the bitter realities of war. It also delves into the struggles of rural life, the relationship between brothers, and the challenges faced by a disabled person. Upkar was a local blockbuster and marked Manoj Kumar's directorial debut.

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

In the midst of an earthquake, a wealthy family is separated and each member must navigate the challenges of their individual circumstances. As they come to terms with their fates, they find love, encounter treachery, and ultimately seek justice.

Kanoon is a 1960 crime drama film that revolves around a lawyer who is faced with a difficult dilemma in a murder case. The movie explores themes of justice, capital punishment, and the role of witnesses in a courtroom.

The story of two families — one Muslim and one Hindu — living together in India under British rule.

Daag (1973) is a drama movie that tells the story of a woman who is abandoned by her husband, framed for murder, and forced to start a new life with her son. She faces prejudice and bitterness but ultimately finds love and redemption.

Dil Ek Mandir tells the heart-wrenching tale of a husband and wife who face numerous challenges, including illness and betrayal, as they strive to save their relationship and find happiness amidst life's trials.

When it's discovered that four prominent members of the community are crooks and black marketeers, young Akash (Rajesh Khanna) -- posing as an expatriate smuggler -- teams with his girlfriend, Chanda (Mumtaz), to expose them. But to nail the quartet -- a tradesman, a doctor and a builder, all led by a wealthy industrialist (Madan Puri) -- Akash must get them to confess their misdeeds while Chanda surreptitiously captures everything on film.

An army officer's wife is unsure if the man she is living with is her husband or his look-alike.

Jailor Manmohan Krishan is responsible for looking after convicts undergoing sentences of rigorous imprisonment. He has a young, beautiful and captive daughter named Shalini. Shalini is a poet, one day while reciting her poetry, she meets with a young man, who introduces himself as Amar, who also happens to be a poet himself in the jail. Shalini tries to

Circumstances have made Shaka a career criminal. When plague empties a town of its inhabitants, he takes the opportunity to burgle a house. He finds nothing except Shanti, a widowed daughter-in-law who has been left to die by her cruel relatives. Shaka nurses her back to health. When her relatives return they are not pleased to find her alive and even less pleased to discover that someone has tried to rob them. Shanti gets the blame and a beating. Shaka saves her from worse, at the hands of brother-in-law, and the pair flee. They set up home in Shaka's house, much to the displeasure of the respectable neighbours who are all too ready to think the worst.

Dependent on his elder brother, Bishan, Ganga and his wife, Rameshwari, are abused and asked to leave. They work hard, set up their own business, and soon become wealthy enough to even support Bishan and his wife. A pregnant Rameshwari gets the news that her husband has been killed. She subsequently gives birth to a boy, who goes missing. Will Rameshwari be ever reunited with her son?

Lovers are caught in a karmic cycle, trying desperately to reunite

The tyrannical Angulimal (Bhushan), a bandit wearing a garland of severed human fingers and who engages in bloody mystical rituals to achieve divine power, eventually succumbs to the Buddha’s teachings. Nimmi played Angulimal’s lover.

Naya Daur (1957) is a movie set in a small village facing the challenges of modernization. The plot revolves around a bus service threatening the livelihood of horse-carriage drivers, leading to a competition between the two. The movie explores themes of capitalism, socialism, love triangle, race, and friendship, while offering social commentary on the impact of progress on village life.

The story of an abandoned Hindu child who is found and raised by a Muslim man.

A poor woman feels unwelcome in her husband's family