The romance between Amalia Sáenz de Olabarrieta –a widow living in Buenos Aires– and the young Unitarian Eduardo Belgrano. Based on the novel by José Mármol.

A capricious lady resigns herself to work as the host of a female radio program where she sings jingles and gives advice on cooking and gardening, putting aside her love of police novels, but she will find herself involved in a murder.

Tabloid journalists muddy the waters during the investigation of the murder of an Argentine senator.

A love story in the midst of historical accidents in Chile, through the revolution of 1891, the Valparaiso earthquake of 1906, the centenary celebrations of 1910 to the present, in 1944.

An Argentinian and a Brazilian fall in love and at the same time, their couples do the same thing between them.

This is the story of a woman who returns to her neighborhood after a long absence and leaving behind dubious company. Her arrival causes misfortunes and revives dark forgotten feelings.

Adaptation of the homonymous novel by Eduardo Gutiérrez, inspired by a real police chronicle, starring a gaucho killed by the police in 1874. Juan Moreira's life was full of injustices and has been considered representative of those suffered by gauchos.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

In 1840, a caravan of carts headed from Buenos Aires to Córdoba carrying merchandise, ammunition and prisoners, against the background of the struggles between the Unitarians and the Federalists.

A man is found dead in a music hall during one of the numbers, so the performance is suspended and the police begin to investigate.

An impostor pretends to be the mother of a blind man so he can manage his assets. But things are changing because of the arrival of the person who takes care of the blind.

In 'El último encuentro,' a girl is caught in a web of drama, mystery, and romance.

The young daughter of a murdered rancher takes possession of her lands in Patagonia and must fight criminals alongside a teacher.

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.