True Heart Susie is a beautiful portrayal of love and self-sacrifice in a small town. Susie, a female protagonist, has an unrequited love for her childhood friend, who becomes a minister. Despite her own feelings, she selflessly helps him marry someone else. This heartwarming movie showcases the true essence of love and the sacrifices one makes for the happiness of others.

When the son of a leader of a Paris underworld family known as The Apaches is arrested and tried in court, the boy's mother asks the judge for mercy, but he refuses. In retaliation, the family kidnaps the judge's young daughter, and raises her to be one of their own, schooling her in the ways of crime.

After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The first of the two was 'The Fall of Babylon', which depicts the conflict between Prince Belshazzar of Babylon and Cyrus the Great of Persia.

Hoodoo Ann is a 1916 movie that blends comedy, drama, and romance. The story revolves around a cursed doll and an orphan named Hoodoo Ann. As Ann navigates through her life, she encounters various challenges and adventures, including dealing with firearms and fires. The movie showcases the ups and downs of Ann's journey, highlighting themes of marriage and the complexities of life.

A farmer's daughter, who devotedly endlessly gives selflessly of herself to her parents and younger siblings, dreams of going to college, which she's saved money to be able to pay for.

What will become of the Children in a home divided....

Based on Henrik Ibsen's play from 1877.

A 1917 film directed by Lloyd Ingraham.

A traveling preacher has, through his faith, the power to heal, but loses it when he falls in love. Considered lost.

Lola Daintry (MacDonald) is an actress who's mad at the world, and especially ministers, one of whom -- her father -- was so cruel that he drove her mother out of the house. When Bully Haynes (Melbourne MacDonald) wants her help in showing up a group of South Seas missionaries, she's more than happy to assist. But Lola doesn't realize she's being used so that Haynes can gain control over the copra trade from his rival, Cyrus Flint (Robert Ellis).

Directed by Ulysses Davis, the screenplay was based on a story by Marc Edmund Jones. Long thought to have been a lost film, a copy was found and put on YouTube. The film is the only known surviving film in which director William Desmond Taylor appears as an actor. In 1964 Taylor's co-star Margaret Gibson, shortly before her death, reportedly confessed to having murdered him in 1921.

A 1916 film directed by Lloyd Ingraham.

H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.

Drama in which Hélène, the owner of a large company goes to work in her own factory, to find out that its staff working in poor working conditions.

Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.

To the dismay of Allison Edwards, her bookworm, adoring neighbor, Mary Randolph, falls in love with and marries Jack Van Norman, a rich and handsome former football star. After a few months of marital contentment, Jack becomes infatuated with Rose, an exotic dancer.

Terrorized by Guido, her drunken and brutal father, Marie receives assurance from her dying mother that the Madonna will always protect her. The father reels in just after the mother has expired, too drunk to realize the woman is dead, and finding the whiskey bottle empty, abuses the child. Marie appeals to the image of the Madonna and Guido, in a frenzy of rage, smashes it on the floor. Horrified at the sacrilege, Marie screams.

A 1917 film directed by Paul Powell.