By the Law (1926) is a tragic and suspenseful movie set in the Klondike Gold Rush. It follows a group of people trapped in a cabin who are forced to confront their inner demons and face the consequences of a tragic accident. Paranoia, sadism, and the search for gold drive the characters to the edge as they struggle to survive.

The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.

An experiment in editing.

A Russian woman tells the tragic story of her life.

A man is caught between his friendship with a young engineer wishing to open his peat-powered electric plant and his love for a young woman, whose father owns an oil company.

In a capitalist country, workers are heavily repressed but manage to get a "death ray" to fight back. (A part of the movie is lost.)

One Kuleshov film that might be of great interest to scholars is The Breakthrough (Proryv, 1930). It was made in 48 hours. Naturally, such an unusual work did not stay in cinemas for a long time.

A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.

The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks is a silent film from 1924 that follows the story of an American man named Mr. West who travels to Russia during the time of the Bolshevik Revolution. While in Moscow, he becomes the target of a criminal gang and must navigate a series of comedic and adventurous situations. Along the way, Mr. West encounters cultural differences, suspicion, and fear, but ultimately finds himself learning and growing from the experience.

Two six-graders are trying to find the Stalin's pipe and return it to the owner.

This is a two-in-one flashback film in which the flashback ends up teaching a group of kids a heroic lesson that they take to heart when war comes to their doorstep.

A story about two teenagers and their life during WWII in Urals district of Russia.

Actress Brio working in a cafe "The Happy Canary", does not suspect that her new acquaintances Brianski and Lugovec are Communists sent by an underground committee to fight the enemy's counter-intelligence.

The continuation of a story about a young boy Timur and his team who are living in a small Moscow suburb during the years before WWII - now during the war.

The screen adaptation of the novel by Tadjik writer Sadriddine Aini, telling the story of a tramp who falls in love with a rich girl, was supposed to become the first full-length feature film in Central Asian film history. But the unfinished Dokhunda was banned by the Soviet authorities when film production was already in full swing. No footage survived. This is why Izvolov had to rely on Lev Kuleshov’s draft to study and appreciate the maestro’s vision and the unique aesthetic concept, which was never to be realised during Kuleshov’s lifetime.

Naturally, the circus milieu of 2 Buldy 2 (1929) encourages stunts. A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution. At the climax Buldy Jr. escapes the Whites thanks to flashy trampoline and trapeze acrobatics; the gaping enemy soldiers forget to shoot.

Directed by Lev Kuleshov.

Khokhlova, a girl-reporter on a Moscow newpaper, falls in love with factory manager Petrovsky. To her he's the epitome of manliness--virile, decisive, strong-minded. Conversely, she rejects the sensitive, diffident editor Vasilchikov, who's in love with her, as unmanly. Her infatuation affects her work, and she is fired.

The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. The state plan foresees the construction of forty power-generation centres across the country. However, the people must first be enlightened about the nature and use of electrical current. Horses and tractors, households and industry, nature and the world of work, neon signs and the construction of power stations all depend on this miraculous new source of energy. The famous Soviet director Lev Kuleshov masterfully realises this project with documentary shots, acted scenes, and lots of creative trick sequences.