After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.

Parvati seeks to heal the breach between her husband and his mother

Pelli Chesi Choodu is a 1952 Indian Telugu-language comedy-drama film directed by L. V. Prasad. The story revolves around a young man named Krishna who takes on the responsibility of finding a suitable husband for his sister. He faces numerous challenges and comedic situations along the way.

Missamma is a lighthearted comedy drama that revolves around the life of a married couple. It showcases their ups and downs, comedic situations, and the challenges they face in their relationship. The movie brings forward the essence of love, humor, and the bond between a husband and wife.

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

Appu Chesi Pappu Koodu is a 1959 movie that tells the story of a son's love for his family. Filled with hilarious comedy and emotional drama, this film will touch your heart and leave you with a smile.

The story starts with the special birthday celebration of a girl. Vasudevan (Sivaji Ganesan) narrates the story which goes back 14 years behind. Karunakaran (S. V. Subbaiah) and Vasudevan (Master Baji) are brothers whose parents had died. They are very much loving and close to each other but Vasudevan longs for mother's love.

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Desperate to earn money, Mohan, a married man, tells a lie in order to secure a job at Mr Rai's firm. However, his life complicates after he attracts the attention of Radha.

R.K. Raju, a private investigator is assigned the task of locating the missing daughter of a wealthy Hindu couple. His investigation take him to different locales, and he comes across Miss Mary, the girl closely resembling the one he is looking for.

A little princess, Ranjani is tattooed with the royal insignia as part of tradition, and the same night, the child is kidnapped by one of the members of the tattoo gang who brings her up as a gypsy girl renaming her Rani. Unaware of her royal lineage, she grows up hawking things on the street and getting into brawls with no punches pulled. She falls in love with a soldier and the story progresses with twists. After several hardships, she realises the truth, and all is well that ends well.

Madhu and Sobha love each other. But they have differences in their political views. So they need to overcome several hurdles to get united again.

Set in a village, Shavukaru is a gripping drama that revolves around the complex relationships within a family. It delves into the journey of a son who navigates through a web of emotions, loyalty, and love.

Wealthy Dr. Shivnath decides to adopt an injured orphan named Rajkumar, who has been separated from his sister, Munni, much to the chagrin of his wife, Janki, who resents him and reserves her love for her two biological children, Premnath and Sudha. Years later all the children have grown up, and Dr. Shivnath may have nothing but regret in adopting Rajkumar - who is not only living a dual life; getting into arguments and fisticuffs with Premnath; but may also soon be arrested by Inspector Chauhan for marketing and distributing fake currency.

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.

When the rulers of Malwa, Pushpapuri and Paanchal find out that their respective kingdoms are under attack by Jung forces, they consolidate their wealth, hide it underground, surrounded by 3 statutes of Hindu Deities, hide it's location in 3 different necklaces, which are then handed over from generation to generation of their respective queens. 200 years later Shamsher Jung attacks and takes over the kingdom of Malwa, forcing Maharaj Dharampal Singh to flee and be eventually be separated from his wife, and two sons, Jay and Vejay. Years later Dharampal is still in hiding away from his wife, Jay has been brought by a bandit named Bhavani Singh, and is now known and feared as Sher Singh, while Vejay is the Senapati of none other than Malwa's Maharaj, Diler Jung, the son of Shamsher. Everyone's path will collide, albeit unknowingly, when they confront each other and race to be the first to take possession of the hidden wealth.