In 'Russian Affairs', a group of unsuspecting individuals find themselves entangled in a web of political intrigue, criminal activities, and personal betrayals. As they navigate through the dangerous world of espionage, they must decipher the true motives of those around them and fight for their survival. This gripping TV show combines elements of drama, mystery, and thriller to keep viewers on the edge of their seats.
Innokenty Melnikov, or simply Kesha, is a successful architect and a charismatic man, he has already had two marriages behind his back. Despite divorces from Lena and Julia, he remains the main man in their lives even with the presence of a third wife, Varya. Kesha manages not only to be a source of financial well-being for each of them and the center of family gatherings, but also to have a sexual relationship with three women at once. But the symbiosis convenient for everyone begins to collapse after Kesha gets a new lover, Alla, and decides to divorce Varya. Offended by the betrayal, Lena, Varya and Julia either jokingly or seriously decide to get rid of Kesha.
Who and What is “A Good Man”? This is the central question in this original drama series from Konstantin Bogomolov, agent provocateur of Russian cinema. Based on a true story, inspired by the capture of Russia’s most prolific and brutal serial killer “the maniac of Angarsk”. "A Good Man" looks at everyday violence in quiet suburbia. The protagonist is a police officer and a security guard, keen to uphold the law, protect people and his town. His methods are deadly. It takes almost a decade to reveal him as a mass murderer, who preyed on over 80 young women in and around Angarsk.
An anthology style drama series looking at relationships during a pandemic ‘lockdown’. Each episode looks at a different relationship with a different story, some positive and some less so. Isolation doesn’t necessarily mean being alone…
The well-being of Stepan Sudakov’s family, which he himself believes in, turns out to be shaky. Practical, prudent, successful in business, Sudakov discovers that the family foundations he guarded in the walls of his apartment, in his nest, collapse one after another, and his own children are to blame.
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