Beyond the Rocks is a melodramatic adventure film set in the early 20th century. It tells the story of a love affair and the sacrifices made by the main characters. The plot revolves around a young couple who face various challenges including financial crises, infidelity, and self-sacrifice. Despite the obstacles, they strive to maintain their love and ultimately find happiness.

An evil prince plans to use a super-explosive to take over the world.

While traveling in Europe Philip Quentin encounters his former sweetheart, Dorothy Garrison, and finds that she is now engaged to Prince Ugo Ravorelli, whom Philip recognizes as the man wanted for a murder in Brazil.

Hale Garrison, a big game hunter returning from safari in Africa, meets Gloria Manner on shipboard and falls in love with her.

Beauty, a sheltered young woman, goes on a holiday in a seaside resort where she meets a bohemian artist. They fall in love but struggle with their different social backgrounds. Through their journey, they learn about true love and break free from societal expectations.

An Egyptian Princess is infatuated with Karmet, a Syrian prince who is disguised as a merchant. He, however, loves Arvia, a dancer. The Princess plots to sacrifice Arvia to the sacred crocodiles. Arvia is saved by her father and united to Karmet. The princess weds Prince Tut, who afterwards becomes King of Egypt.

Following the death of her father, a Maine trapper, Jennie Cox moves to New York to earn her living.

A 1924 film directed by Clarence G. Badger.

A restless young girl yearns to leave her rural environment and "get away from it all". One day she stumbles upon a film crew shooting a western near her home. She makes friends with the film's leading man, who encourages her to try her luck as an actress. So she leaves her small town and goes to the big city to break into the picture business. However, things don't turn out quite the way she planned.

Gene Romaine lives in the solitude of Tall Pine Mountain with her father, fire warden for the Stanton Lumber Company. They live alone, but her mother's grave is in the little clearing and the father has promised never to leave it. To them comes McDaniels, the logging boss, who is attracted by Jean and offers her father to discard his Indian wife for the young girl. Romaine indignantly refuses and is threatened with dismissal. Gene, knowing he cannot bear to leave his wife's grave, assents to the marriage in spite of her father's protests. Stanton, chief owner of the lumber company, maroons his worthless son in the woods, in the hope of reforming him. Gene takes care of him when he sprains his ankle, and he protects her from McDaniels and is blamed for the murder of the boss when his vengeful Indian wife stabs him in the back.

A 1917 silent film drama

A clairvoyant warns divorcée Adrienne Van Couver to beware of Robert Warren, whom she has spurned. The warning comes true after Adrienne's ex-husband, John Dean, meets Warren, an old friend, and tells him the story of his marriage to Adrienne. He tells how her frivolity and malice caused both the death of their only child, and after their divorce John’s romance with Lorraine Barkley who left him for lawyer Henry Armstrong. Enraged by Adrienne's treachery, Warren goes to her apartment and kills her. Dean arrives after Warren has fled and is arrested for the murder. Believing that Dean is innocent, Lorraine persuades Armstrong to defend him. After a last-minute confession by John is cleared.

Tired of her friends and life as a society leader, Ninon Le Compte goes north to the Hudson Bay area to inspect trapping holdings inherited from her uncle.

Mimi, an orphan, is taken in by a drunken innkeeper and becomes a domestic. She meets Rudolphe, scion of a well-to-do family, who rescues her from the unwanted advances of a drunken hotel guest. They fall madly in love, but Rudolphe's uncle, M. Durandin, wants Rudolphe to marry a family friend, Madame de Rouvre, and writes Mimi a letter, telling her that she is ruining Rudolphe's life. Musette and Marcel, friends of Mimi, also try to break up the romance by introducing Mimi to other men, and Rudolphe becomes jealous and leaves her. Brokenhearted, Mimi declines in health and eventually throws herself into the river but is rescued and taken to the hospital. Realizing it is only a matter of time before she dies, she drags herself back to the room where she and Rudolphe were happiest. Rudolphe is there and she dies knowing that he loves her.

Lance Bellew ignores his wife, Betty, for his mistress, Naomi Templeton, but becomes so enraged when he finds Betty in the company of Jerry Woodruff that he shoots this family friend. A lost film.

A wealthy New York City stockbroker who sets out to prove that women are corrupted by wealth.

Bob Reynolds, a construction engineer, is constructing a dam. Finding himself in financial trouble, he is persuaded by John Brand to use a cheaper--but far inferior--cement to replace the cement he's been using. Brand, who is determined to ruin Reynolds, then talks him into buying worthless stock. Finding himself in desperate straits, Reynolds forges a check using Brand's name. Unfortunately the finished dam breaks and many people are killed. Under suspicion by the authorities, Reynolds desperate searches for a way out of his worsening situation.

The picture starts with Robert Warwick walking into the office of director Albert Capellani (the film's actual director). Capellani offers him the role of a heavy and hands him the script. The next four reels show Warwick playing a Raffles-like character, an ingenious crook who moves through society, committing robberies and even murder.

Helene, who dances in a Greenwich Village cabaret accompanied on the violin by her grandfather, loses her job after his death. She then is hired as a portrait model by four artists--Jaffrey Darrel, Ned Lorrimer, Dick Turner and Stanley Sargent--all of whom become fascinated with her. Helene leaves the Village when Ned's jealousy disrupts the camaraderie of the quartet and becomes a stage star. Meanwhile, all of the artists have attained success except Jaffrey, who refuses to taint his art with commercialism.