At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there. As the seasons turn, Mónica, Ana's daughter, challenges her mother's choices and the three generations of women search to understand where they belong in a world that is rapidly fading, where the cycle of life is renovated only through inevitable endings.

In 1975, Thomas Harlan's crew filmed Torre Bela's homestead occupation, in the center of Portugal. Three decades later, RED LINE revisits this emblematic film of the Portuguese revolutionary period: in which way did Harlan interfered in the events that seems to naturally develop in front of the camera? What was the impact of the film on the lives of the occupants and the memory of that period?

1975, the year after the Carnation Revolution. Eduarda, João and Mick come from Northern Europe to work in the co-ops in the occupied farms of central Portugal. Like many others, they come to help with the land and the livestock, give medical appointments, family planning classes, show sexual education films and participate in the traditional dances. They bring a great deal of questions, but the “comrades from the South”, in turn, have more questions than answers.

In the short film 'O Caso J.', a team of detectives goes on a quest to solve the perplexing case of a missing person named J. As they dig deeper into the investigation, they unravel shocking secrets and encounter unexpected twists and turns.

A fairy tale from the computer age: a 15 year-old boy finds a computer, which has the magical power of undoing short periods of his life.

In José Filipe Costa’s potent, occasionally satirical character study, António de Oliveira Salazar’s political life has reached its end, after four decades as the head of Portugal’s military regime. It’s a fact known and acknowledged by everyone, except the dictator himself…

It's Sunday, day of rest. At the river, the father fishes and drinks, the mother sleeps, the daughter plays...

Margarida Senhorinha, aged 69, is illiterate but records poems, songs and memories of her birthdays on a tape recorder. She’s spent forty years in her house with its garden amidst the blocks of flats of an ever expanding Cacém. Now, her entire life depends on her landlord. She’s at risk of lose her house, perhaps to make way for yet another tower block. A living memory of rural Portugal that has come face to face with urban Cacém, Margarida Senhorinha asks simply: “and now where do I go?”