A young rock singer meets his childhood heroine, a famous singer who is now wallowing in alcohol and sex.
The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.
A rock singer goes to Brazil to shoot a video, but winds up getting kidnapped and enduring a number of seemingly bizarre and hilarious events.
Rich and spoiled kid, frustrated for not being chosen to join the soccer lessons his idol Zico was going to give, asks his father to clone the player. But a small girl smells something fishy going on and asks her friends to help save the Brazilian soccer star.
Inspired by the life of one of the most famous policemen in the history of Brazil: detective Perpétuo de Freitas, immortalized in the annals of Brazilian criminal history for relentlessly pursuing and without the slightest assistance of the Rio police force one of the most wanted criminals in the country.
The life of a runaway slave who founded the Quilombo dos Palmares, an outlaw community of Brazilian slaves.
Filmmaker Roberto Farias' passion for cinema is revealed by his daughter Marise Farias through an intimate look, from childhood to his political, economic and cultural role in Brazilian Cinema. Through Roberto Farias himself and friends such as Luís Carlos Barreto, Cacá Diegues and Zelito Viana, the film tells the stories of the director who achieved a direct dialogue with the public through successes such as O Assalto ao Trem Pagador (1962), the trilogy with singer Roberto Carlos (1968 to 1971) and Pra Frente Brasil (1982). Texts from an unpublished book of memories are interpreted by his brother, actor Reginaldo Faria.
Hit man does his part in a deal, but doesn't get the money he was promised. For the treason, he decides to eliminate them all.
Balogun's most political film is a confrontation with the African wars of liberation. Based on Carcase for Hounds, Meja Mwangi's novel about the Mau-Mau uprising, it is set in an unnamed country and thus offers the vision of a pan-African struggle for freedom and against colonial oppression. The central figures in the straightforwardly and powerfully told story are the guerrilla leader Haraka and his adversary, the English colonial official Kingsley. In the end, the film becomes a homage to the freedom fighters from all over Africa: the final images show Patrice Lumumba, Steve Biko, Nelson Mandela and Amílcar Cabral, among others.
Fable about the financial and social ascension of a black man in a small town, in the interior of the State of Minas Gerais, Brazil, and his existential crisis when he begins to believe the world is going to end.
During a showing of rare Afro-Brazilian Cinema films at the Cinematheque of the Museum of Modern Art of Rio de Janeiro, actor/filmmaker Zózimo Bulbul gathered some of the most notorious Brazilian black directors to talk about their works, their lives and their perspectives on the future.
A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.
70-year-old widower living in a poor Rio de Janeiro suburb falls in love again when he finds a woman of approximately the same age.
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