Follows experiments of fictional 19th century aristocrat Monsieur Lautréamont, a hypochondriac dandy committed to the pursuit of true aesthetic perfection which he calls “urge-ingeniousness”. The film focuses on the interplay between Lautréamont and Louise, his seductive servant, and switches back and forth between Bock as the master and his reliance on Louise who is all at once nurse, servant, inspiration and lover. The film crosses the boundaries of surreal fantasy and period drama, with Bock playing the tormented genius, an inventor attempting to achieve perfection in every creative aspect: poetry, perfume, and even nature. Filmed at Chateau du Bosc, the family home of the aristocratic dwarf Henri de Toulouse Lautrec. Toulouse Lautrec is clearly the inspiration for Bock’s character

Set in a Medieval town, the film has a theatrical quality, as the behaviours and actions of the characters are exaggerated almost to the point of satire. Nevertheless, its relatively dark and heavy plot yields over-the-top expressions from the actors. There is little dialogue as the story opens: a mother is seen tending to her sick daughter, whom she is then told must be sacrificed to the forest. The viewers patiently but curiously watch the mother perform healing rituals with objects like egg shells, dried plants and twigs–also recurring in the installation–until the daughter mysteriously disappears.

Set on the farm in Gribbohm where the artist was born and raised, Meechfieber recounts the grotesque adventures of a farm couple who must come to grips with surreal machines, bric-à-brac spaceships, costumed animals and frenetic dances.

Set in a tiny kitchen, the act of cooking is accompanied solely by the John Bock’s exclamations, as the food he attempts to prepare flies up to attack him, staining his shirt and even setting him on fire