The aim of my approach is to bring together in these Dialogues what separates us from what is essential, to build a special relationship between the sound and the visual that I want to share with everyone in their differences. Finally, these Dialogues are built and created over time.
Dansité is the visualization, in cinematic space and time, of two bodies in motion; mobile, immobile, intertwined, broken, tense, restrained, suspended between heaven and earth, sand and rock, they suddenly stop, fixing the eternity of the moment.
Les Chants (I, II, III, IV, V) is a five-part experimental film released in 1981. Each part of the film explores different themes and cinematic techniques, creating a unique and thought-provoking viewing experience.
The body energy, contained, frees itself through the contrasting gaze's light, through the fragmented play music. Energy is concentrated in the gesture time and in the wait of the matter. Ex-Tension: Meeting of a body writing with the duality Image/Music.
Peter Morin' show, deliberately narrative, fantastical and symbolic, was calling for a cinematic transposition in which objects, actions, gestures, without losing anything from their power, would be used differently, liberated from real time, linearity, theatrical space. The use of cinematic language (i.e. numerous framings, dark and light opposition, camera motion, superimpositions, different rhythms at the editing) permitted this transposition.
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