Bill Nighy, Pete Postlewaite and (briefly) Julie Walters, then all of the Everyman Theatre Company, feature in this potent reportage/dramatisation hybrid about the occupation of the Fisher-Bendix Factory in Kirkby. Dohany uses a variety of imaginative techniques to explore the longstanding dispute, and a pronounced sense of urgency pervades this act of solidarity.

When a young caregiver and her unsavoury boyfriend attempt to steal from an elderly couple, their plans unravel.

Life at the end of the line has always been tough. With the cost of living going up and pressure to cash in on their now quaint fishing cottage's financial potential, Biddy and Rob find themselves at the end of the line in more ways than one. However Biddy has a plan, Biddy has an idea, Biddy has a desire to paint. The question is will any of her work save them from financial ruin, and who at the end of the line will take notice?