Mandabi is a 1968 comedy-drama movie that offers a satirical take on the bureaucracy and corruption prevalent in postcolonial Senegal. The story revolves around a man named Ibrahima, who receives a money order from his nephew in France and faces numerous obstacles while trying to cash it. As he navigates through the bureaucratic maze, the film explores themes of polygamy, the role of religion in society, and the struggle of the common man against an oppressive system.

A tale of growing up in 1960s Senegal. Bacc narrates his early years of living in Popenguine, a town divided by culture and musical tastes.

A beautiful 14-year-old girl has just reached marriageable age in a village in Senegal. She has many suitors; however, she is in love a poor student who has returned to the village while the university is on strike. At birth, she had been promised in marriage to Diogoye, who went away to work in France. Diogoye, who supplied her parents with many things over the years, has now sent a dowry, and asked that she be married to him in the village in his absence; she would then be sent to France.

The TGV? No, it is not the famous French high-speed train, but instead the rickety and colourful bus operated, driven, repaired and, if need be, pushed by the intrepid "Rambo". This time, the trip between Dakar, the capital of Senegal, and Conakry, the capital of Guinea, is outright dangerous: the road crosses the territory of the Bijagos, who have launched an unexpected and violent insurrection. Rambo finds several odd passengers (with a handful of sheep) who are ready, for various legitimate or untold reasons, to take every risk to reach Conakry. And the TGV sets off on an eventful journey...

Following a misunderstanding, a traveler is mistaken for an important official on an inspection tour. Nothing will be spared to coax him into turning a blind eye to the prevarications: embezzlement, exactions of all kinds practiced by the local notables.

A 53-year-old civil servant, who has been refused promotion, finds himself forced to resume studies with the help of his son in order to obtain the necessary diploma.

Directed by Paulin Vieyra.

The theme of the rural exodus has inspired many African authors. In the past, by tradition, the young peasant went abroad temporarily to earn the money needed to settle in the village. Now, he leaves the countryside with no idea of ​​returning, convinced that he will find all the means to make his fortune in these mirage cities. Issa, in turn, takes the road to the capital. Before leaving, Aminata slips a bronze bracelet on her arm as a token of loyalty and love. Then begins for Issa the inexorable chain of disillusions, bad luck, misunderstandings

A trendy taxi-driver races through the streets of Dakar. His passenger is a western, blonde young lady who doesn't seem in the least interested in her surroundings. He tries to catch her attention and breaks the silence by saying: 'I can even see the wind pass by.'

Tells the story of an official that misappropriates public funds to seduce a courtesan.