During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).

In 1921, Titanus released a three-part serial based on a popular Italian novel from the turn of the 20th century: Nobody’s Children by Ruggero Rindi. The tale of lovers thwarted by class differences, of illegitimate children and parental recognition denied was a major success for producer Gustavo Lombardo and leading lady Leda Gys.

Antamoro's CHRISTUS, epic in scale and ambition, and featuring decidedly otherworldly special effects, was released in 1916. Telling the story of the Life of Christ, the film is divided into three segments-- three Mysteries. The first of these includes the Birth of Jesus, the arrival of the Magi, Herod and the slaughter of the innocents, the flight into Egypt. The second Mystery features the expulsion of the merchants from the Temple, Mary Magdalene's conversion and Christ's entry into Jerusalem. The third Mystery is itself divided into three separate parts, which are The Passion, The Death and The Resurrection.

A colossal epic film like this that tries to depict the life and glory of Julius Caesar, must have a variety of scenery appropriate to the film's hero. This includes the Senate and its conspirators..or .. strange places beyond Rome full of barbarians that must fall under the Rome yoke. Let's not forget the sequences depicting the masses mentioned before.. or.. the human side of Caesar and his troublesome relationship with his son Brutus.

Based loosely on Shakespeare's play, Plutarch's "Life of Antony", and Pietro Cossa's dramatic poem, "Cleopatra", this movie was spectacular for its time. It offers location shots made in Italy and Egypt, large crowd scenes (e.g., the Roman army embarking in Alexandria), lots of emotional drama (Marc Antony & Cleopatra, his wife Octavia, sister of Antony's rival Octavian, unhistorically coming to Alexandria to beg him to return to her, and some mean, mean looks exchanged between Octavia and Cleopatra.

A snowy Italian drama directed by Gennaro Righelli.

Antonio is jealous of his wife Clara and follows her everywhere; one day he sees her walking with a man on the street. He immediately becomes convinced that they went together to the movies (instead they went separate ways). Blinded by jealousy, Antonio wants to enter in the cinema hall and make a killing; but the director of the cinema stops him, and goes into the cinema room saying: "Outside a husband is waiting for his unfaithful wife to come out and kill her. Please, those of you who do not have a clear conscience, go to the emergency exit." In a moment almost all the spectators disappear.

Sant'Ilario is a 1923 silent film

Italian silent film directed by Emilio Ghione and starring Ida Carloni Talli, Lina Cavalieri and Diomira Jacobini. This film may have been rereleased in 1919 as The House of Granada by Paramount

Directed by Emilio Ghione.

Directed by Giulio Antamoro.

Italian silent western.