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During the French Revolution, identical twin brothers get caught up in a web of intrigue and adventure as they navigate the dangerous world of nobility and bandits.
Paris When It Sizzles follows a screenwriter and his assistant as they try to finish a script and navigate a series of misadventures in the City of Love. Along the way, they encounter a mysterious stranger, get caught up in a robbery plot, and find love in unexpected places.
Hôtel du Nord tells the story of a group of ordinary people whose lives intersect at a hotel in Paris. In this romantic drama, a young couple falls in love, a gangster seeks refuge, and a prostitute finds hope. As their paths intertwine, they must confront love, loss, and the harsh realities of life. Set against the backdrop of July 14th celebrations, the film explores themes of fate, love, and the resilience of the human spirit.
During World War Two, a prisoner of war and a cow form an unlikely bond as they embark on a dangerous journey to escape from Nazi Germany. Along the way, they encounter various obstacles and challenges, testing their courage and determination.
Catherine Hubscher, who washes the shirts of young Napoleon and other soldiers fighting the Revolution, falls in love with Sergeant Lefebvre. Circumstances bring Lefebvre a noble title and even more -- Napoleon decides to make him the local ruler over a large territorial fiefdom. But trouble brews when Madame Sans-Gene, now elevated to the nobility along with her man -- cannot keep her frank observations under control.
Nana or Nanà is a French-Italian film by Christian-Jaque starring Charles Boyer. It is an adaptation of Émile Zola's novel Nana.
During World War II, a doctor is kidnapped and forced to board a submarine to tend to a wounded Nazi officer. As the journey unfolds, he must navigate the treacherous waters of war, betrayal, and survival.
Henri IV falls in love with the young Charlotte de Montmorency, 40 years his junior. The king decided to marry her off to his nephew, Henri de Condé, so that he could later make her his mistress.
A ballet producer returns to his native town and schemes to avenge himself on the family who tried to murder him 20 years before.
Three young men are suspected of kidnapping and murdering a little boy. Most likely, two of them are really involved, but one is not. All of their pasts are questionable, riddled with violence and controversy. Neither the police nor the court can decide how to solve that puzzle.
Lovers of Paris is a movie set in the late 19th century in Paris. It revolves around a male-female relationship in the bourgeois society and explores themes of love, desire, and societal expectations. The story follows the lives of the characters as they navigate the complexities of relationships and social norms in a changing era.
After attending to a suicidal young man, Dr Richard learns that his wife has been unfaithful for years. This comes as a shock after 10 years of supposedly happy marriage. Back home, he demands answers from Madeleine. A long night of explanations ensues.
Three stories, very different in space and time. Lysistrata, a dancer from ancient times, Jeanne d'Arc, medieval warrior and Elisabeth, American war widow who comes on pilgrimage in Italy.
Bank accountant Thomas Lieven is forced to work as a triple agent for the British, the French and the Nazis.
Thomas Lieven is a German secret agent trying to leave that profession, to live a peaceful life. Adventure is too strong an appeal, he starts working again, and soon it's difficult to say if he is doing his job, or turned out as double agent for England, France or even communist Russia! To save his skin, he'll do - almost - anything, to anyone...
Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.
The evocation of Paris in the 1920s mingles with the rapid rise of the irresistible Caprice, a talented singer, and her tumultuous love affair with Jeff the composer. A photographer nicknamed Bagnolet, a gentle anarchist, gently monitors the activities of Caprice, who has become Lady Paname and, in the absence of morality, makes love triumph.
A diverse group of friends gather to celebrate a witless woman's birthday in this comedy drama set in France during World War II. The guests include an uncle who is a Nazi collaborator, a blind war veteran, a simpering physician, an arrogant educator, a patriotic girl, and the husband of the guest of honor. When some German soldiers are killed outside the house, the group is told by the Gestapo that they must choose among themselves two who will be shot if the killer is not caught. If two victims are not chosen, all seven at the party will be captured. Things sound pretty grim, but the black comedy begins when all seven try to save themselves by any means possible.
Renée dite Guinguette, a former prostitute, has earned enough money on the Parisian sidewalk to buy her dream: a waterfront guinguette. Her new lover, Marco, offers her the use of an unused adjoining barn to store the second-hand cars he trades in. But the "used" cars are actually stolen, and the charming Marco is a bad boy. After a few deaths and various vicissitudes, love finally triumphs.
Léopold, valet de chambre to the avocat général Maître de Royssac, starts studying the penal code and, during his leave, becomes a judge in a "middle" court. His decisions are recognized as final. Léopold falls in love with Agnès, engaged to the two-faced Doctor Ventoux, who becomes "Le chat" when he plays the gangster. Léopold will help "Le chat" pull off the heist of the century, if he remains free to court Agnès. "Le Chat" doesn't play along. A fight breaks out between Léopold's gang and "Le Chat's" gang. The law must prevail.
Henri Jeanson
Henri Jules Louis Jeanson (6 March 1900 in Paris – 6 November 1970 in Équemauville) was a French writer and journalist. He was a "satrap" in the "College of 'Pataphysics". Jeanson was born on 6 March 1900 in Paris. His father was a teacher. Before becoming a journalist, he had several casual jobs, including being depicted as a soldier on a good-luck card for a postcard seller, belying his future pacifism. In 1917, he started work for La Bataille, newspaper of the Confédération générale du travail. Noted for his strong writing, he was a journalist throughout the 1920s, with intervening stints as reporter, interviewer and film critic. He was distinguished by the potency of his style and a taste for polemic. Jeanson worked for several papers including the Journal du peuple, Hommes du Jour and the Canard enchaîné, where he defended complete pacifism. He resigned from the Canard enchaîné in 1937, in solidarity with Jean Galtier-Boissière. He was sentenced to 18 months in prison in July 1939, for publishing an article in Solidarité internationale antifasciste, a periodical founded in November 1938 by Louis Lecoin, in which he congratulated Herschel Grynszpan for his assassination of Ernst vom Rath, an official of the German embassy in Paris. He was arrested in November 1939, at which time he had already joined his regiment in Meaux, for articles which had appeared in March and August 1939, and for having signed Louis Lecoin's tract "Paix immédiate". On 20 December 1939, he was sentenced by a military tribunal to five years in prison for "calling for disobedience within the ranks". Jeanson was in prison for his pacifist writings, and this only a few days before the German army marched into Paris. His freedom was obtained by the lawyer and minister César Campinchi. He remained in Paris and in August 1940 was given the chief editorship of Aujourd'hui, an "independent" newspaper. The first issue went out on 10 September 1940. In November 1940, the German authorities pressured him to take a public position against the Jews and in favour of the politics of collaboration with the Vichy regime. Jeanson resigned and went back to prison. He was freed a few months later after the intervention of his friend Gaston Bergery, a neo-radical who had turned to the collaborationists through ultra-pacifism. From that point on he was banned from the press and the cinema, and worked secretly, writing film dialogues without putting his name to them. With Pierre Bénard, Jeanson participated in the development of secret pamphlets, and just missed being re-arrested in 1942. He continued to lie low until the liberation of France. His story is said to illustrate the contradictions and compromises of absolute pacifism: the willingness to seek an understanding with Germany to avoid war, transforming, after France's defeat, into a desire for proper coexistence, even offering to serve the Germans. The newspaper Aujourd'hui was far from being innocent in its hunting down those allegedly responsible for France's defeat, resorting to the "clean sweep of the broom" myth in its Anglophobia. The paper entered into resonance with Marshal Philippe Pétain's narrative, and took the direction of German propaganda. ... Source: Article "Henri Jeanson" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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