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The production of a film requires recording equipment and financial resources if nothing else. Hellmuth Costard places these basic prerequisites at the centre of his film: using a Super 8 camera system he developed, he films himself as he tries to raise funding for his film project. This creates an unconventional experimental setup, which reveals how the economics, politics, technology and aesthetics of filmmaking relate to each other – with the ‘great’ Godard being called up as a kind of chief witness.
In this film, we follow footballer George Best over a 90-minute match against Coventry City, which took place on 12th September 1970. There is no soundtrack and no interview overlaid, just Best doing what he did best - playing football.
ECHTZEIT by Hellmuth Costard and Jürgen Ebert is a film like thoughts. About reality and the digitalized world. A film about Ruth and Georg, who may no longer exist. A film about "imaginary cameras", synthetic landscapes, about (flight) simulators and Pershing II.
Four young people from the former GDR want to start doing meaningful things. In spite of adverse circumstances they start the construction of an environmentally friendly solar power plant.
Hollywood opening credits with crashing sea waves and expectant orchestral music opens the film. Then the viewer's gaze is carried through a room. In a mirror you see for a moment a naked girl holding the recording subjective camera under her arm, she pulls open a drawer, puts the camera inside and closes the drawer. The viewer's gaze and thus the viewer himself is caught in the darkness.
The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves(1970)
Klammer auf Klammer zu is the story of a young man who decides to leave the country after the 1965 West German parliamentary elections. He hitchhikes out of Hamburg, but makes it only as far as the Lüneburg Heath. There, he meets a woman driving a Jaguar, protects her from an “attack” by a light sport airplane and then helps her sell her car to a shepherd. When doubts arise about the buyer’s solvency, the man and woman take the train back to Hamburg …
The film is based on a variety of reflections on politics and labor, economy and technology, identity and advertising.
A Super-8 film in color with sound on magnetic stripe.
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