Adelheid und ihre Mörder was a German comedy-drama television series broadcast between 1992 and 2006 by Norddeutscher Rundfunk. 65, 50 minute episodes in five series were produced. Directors included Ulrich Stark, Arend Agthe, Claus-Michael Rhone, Stephan Meyer and Stefan Bart Mann.

Kara Ben Nemsi Effendi is a German television series broadcast from 1973 through 1975 in 26 parts and two seasons. It featured an adventurer probably inspired by British explorers Richard Francis Burton and T. E. Lawrence. The scripts were faithful to Karl May's Orient novels and the score is from Martin Böttcher who previously had composed the music for ten very successful Karl May films in cinema and in 1998 also for the two parts of Winnetous Rückkehr, also being aired by the German station ZDF.

Solo für Sudmann is a German television series.

As a happily married couple and editors of a successful travel magazine, Claudia and Michael make the perfect team. But then Claudia realizes that her husband is cheating on her. At the same time, her mother, with whom she would have liked to spend more time, passed away. Claudia's life begins to falter. She spontaneously cancels all appointments to accompany her father, a river boatman who wants to scatter his wife's ashes over the Rhine from a barge. The last trip on the old ship on which she spent her childhood turns into a journey full of unexpected discoveries for Claudia.

In this supernatural comedy, a young tourist visits a haunted castle in Germany and discovers a ghost dog. As he explores the castle, he encounters paranormal phenomenon, singing ghosts, and even a dancing bed. The castle's transformation from an ordinary tourist attraction to a haunted adventure is filled with humor, music, and eerie encounters.

The son of an Argentine chemist travels to Vienna, to solve the murder of his father. Step by step, he realizes that his father was internationally entangled in secret service machinations and chemical weapon sales, and ends up in mortal danger himself. Meanwhile, he also realizes that there is no connection between his father's murderess and those dubious activities. Her motive for killing him goes back much futher, to a court hearing during the Third Reich...