In Pelli Kanuka, a young couple faces numerous challenges as their families clash over cultural differences and social expectations. Despite it all, they fight for their love and the life they want to build together. With themes of love, sacrifice, and tradition, this movie explores the complexities of relationships and the strength of the human spirit.

Thirumbi Paar, directed by T. R. Sundaram, was an interesting film in which Sivaji Ganesan played a role with negative shades. The character dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!

Ramudu, a simple villager, and Bheemudu, a mischievous thief, trade places resulting in hilarious consequences.

Dr. Murali Krishna loves Anuradha, but he loses his scholarship after a misunderstanding with her. Krishna becomes engaged to Lakshmi before going to London. An uninterested Lakshmi asks Anuradha to write letters to Krishna on her behalf, intensifying Anuradha's feelings. Then Krishna has an accident and everything changes.

Pantulamma (Telugu: పంతులమ్మ) is a 1977 Telugu drama film directed by Singeetam Srinivasa Rao. The film won the Nandi Award for Best Music direction for Rajan-Nagendra and Lyricist for Veturi Sundararama Murthy and also Laksmi for best actress.

Venu, a poor man, falls in love and marries Radha, a zamindar's daughter. When Venu moves into the zamindar's house,there are multiple problems Venu has to battle.

Prakash works for his childhood friend Shekhar, a rich businessman. Shekhar's mother develops a prejudice against Prakash and turns her son against him, leading to a series of unfortunate events.

Manase Mandiram (English: The Heart is a Temple) is a 1966 Telugu language romantic drama film, produced by Yarra Appa Rao on Sri Krishna Sai Films banner and directed by C. V. Sridhar. Starring Akkineni Nageswara Rao, Savitri in the lead roles and music composed by M. S. Viswanathan. The film was a remake of Tamil film Nenjil Or Aalayam (1962), Sridhar remade the film in Hindi as Dil Ek Mandir (1963). It was also remade in Malayalam as Hridayam Oru Kshethram (1976), and in Kannada as Kumkuma Rakshe (1977).

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.

Kalasi Unte Kaladu Sukham is a 1961 drama film that revolves around the theme of family and the joys and challenges that come with it. It takes the viewers on an emotional journey showcasing the significance of familial bonds and the happiness they bring. The movie beautifully portrays the ups and downs faced by a family and highlights the strength that comes from unity and love.

Ramu changes his identity to help Roopa as she gets disabled because of him.