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In the small town of Varmland, Sweden, Gosta Berling, a former priest, is living a reckless and self-destructive life as an alcoholic. He finds himself caught up in a dangerous affair with a countess, leading to a series of events filled with melodrama, deception, and tragedy. As Gosta struggles to find redemption and escape the consequences of his actions, he must confront his inner demons and make a choice between salvation and damnation.
The General's daughter, Helene, grows up in a safe world. She doesn't want to get married or have kids. She meets a man who talks about platonic love which seems to fit her nice. They get married but when he wants to get more intimate with her she rejects him. August Strindberg's short story "Mot betalning" from the collection "Giftas 2".
Grandmother sits with her grandchildren. She talks about the position of the Swedish woman through the centuries, about her struggle for freedom and justice. Grandma's words take shape in moving images.
The old Victor Branzell has a grandson, Alf, who is in love with a clerk in a glove shop, Lilian Lind. But Lilian with her simple background doesn't get accepted in the circles where Alf belongs, and they have now reached the conclusion that they can't have a future together. Marriage is impossible. Victor summons Lilian and Alf and starts telling them his life story.
In the late 1800's, the old Karolina Koger dictates his will: all her money shall form a family fund.
Karin Larsson and Douglas Hallencreutz has a somewhat peculiar relationship. They meet every Wednesday at Douglas. Karin is Douglas "Wednesday's friend." Otherwise, they live completely separate lives. This Wednesday they wake up together. Karin showers and leave Douglas fancy apartment at Strandvägen, Stockholm. She lives with her father, former captain Larsson. When Karin come home, Baltzar is at the door. Baltzar is a typical "guy" full of ideas, not always successful. It also turns out that Baltzar had a relationship with one of Karin's sisters.
The Beckius family is living near the border to Russia. The youngest son, Armas, is living a wild life that eventually leads to a break with the family after which he joins the Russian Revolution. When he returns to his home country a few years later the family on the enemy's side.
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Gerda Lundequist
Gerda Carola Cecilia Lundequist (Swedish pronunciation: [ˌjæːˈɖa ˌlɵndɛˈkvɪst] - 14 February 1871 – 23 October 1959) was a Swedish stage actress, an Ibsen and Strindberg-thespian that in her time was known throughout Scandinavia as "The Swedish Sarah Bernhardt". Lundequist was considered one of Scandinavia's leading tragediennes and dramatic stage actresses, and she originated many leading female parts in plays by Ibsen and Strindberg. She had a 60-year-long career as a professional actress (with debut 1889) before she made her last performance in 1949, as Julia Hylténius in the successful staging of the comedy The Barons Will by Hjalmar Bergman. She studied at The Royal Dramatic Theatre's acting school 1886-1889 and in 1891 appeared as Queen Gertrude in Hamlet, a performance that established Lundequist at the top. In 1890, she originated the role of Anne-Marie in Ibsen's A Doll's House and in 1897 the role of Ella Rentheim in Ibsen's John Gabriel Borkman. (Wikipedia)
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