Toma Lá, Dá Cá is a Brazilian sitcom that revolves around the lives of the residents in an apartment building. The show explores the comedic and chaotic situations that arise from the interactions between the diverse and eccentric characters. It delves into themes of family relationships, LGBTQ representation, and societal stereotypes, all portrayed with humor and wit.

Follows the unconventional lives of a Brazilian pop artist who got out of the streets to reach stardom and his manager-wife-choreographer.

One place, in two eras: in 2020, three heirs of an abandoned property decide to recover it. In 1985, the property was the scene of passions, episodes of violence and solidarity adventures.

The film tells the story of Luiz Antônio, a clumsy radio host, who unexpectedly finds himself in charge of a bankrupt radio station. Relying only on his passion for rock'n'roll and a crazy team, he creates one of the most emblematic radio stations in the history of Brazilian rock, Fluminense FM. Among guitar solos and radio signal interferences, we follow the adventures misadventures of Luiz.

Uma Quase Dupla is a hilarious action-packed crime comedy filled with mystery and laughter. Two unlikely police partners must put their differences aside and work together to solve a thrilling case. Join them in a wild ride full of unexpected twists and turns.

Tim Maia is a biographical drama that tells the story of the legendary Brazilian singer. From his humble beginnings in Rio de Janeiro to his rise to fame and struggles with drugs, the film explores his journey as well as his impact on Brazilian music.

In 'Sai de Baixo: O Filme,' a group of misfits come up with a plan to solve their financial problems and end up in hilarious situations.

Film about the Bahian singer dives into the moment when shy Gracinha becomes Gal Costa, during the violent, innovative and mind-blowing years that helped shape Brazil's greatest singer.

Eduarda is a successful orthopedist, married to event producer Marcos for 10 years. Due to the strain on their relationship, they decide to go to couples therapy, but during the sessions they decide to break up. That's when Eduarda meets Leo.

B.O. tells the story of a box office attendant named Mike who is struggling to make ends meet. Despite his best efforts, the theater he works at is constantly empty and on the brink of closing. Determined to save the theater and his job, Mike comes up with a series of outrageous schemes to attract more customers. Hilarity ensues as his plans go awry and chaos reigns in the theater.

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.

Three deserting soldiers during the Paraguayan War find an isolated house on the border, inhabited only by a mysterious farmer and a young woman. What seemed like a safe haven turns into a fate more horrible than the war they fled.

Rafael is a young man who is tired of only reaching guys who say they are straight. Not wanting to go through this kind of embarrassment anymore, he gets a device that will put an end to all his doubts, the gaydar.

A group of actors and actresses rehearse play virtually and look for solutions to get around the fact that they cannot meet. Confined at home, they use their own family members on stage. The piece chosen is ÁLBUM DE FAMÍLIA, by Nelson Rodrigues, an attempt to debate the idea of a traditional Brazilian family.

José Dourado uses a double identity to be able to have fun without compromising his image as a rich heir and telecommunications shareholder. His best friend, Agenor Nabuco, makes use of this to invade José's farm and, then, he meets the seductive Cecília Feijó, his friend's niece. Agenor is Patrícia Lobato's cousin, with whom José is in love, but Aunt Augusta, Patrícia's mother, is against the relationship. Love impediments will also be imposed by housekeeper Dona Glorinha and pastor Saulo Malaquias. Then, a plot from the past appears to alter the course of the characters in the story.

Oscar Ito Macedo stumbles into an opportunity of a lifetime: to become a hero of a film production