A bold reveal of a rose tattoo opens this 1980 documentary on tattooing in New Zealand. The potted history includes visits to tattoo parlours on K' Road and Hastings, and the studios of industry legends Steve Johnson and Roger Ingerton. Tattooists discuss public stigma, people's reasons for getting inked, and popular designs: sailors, serpents, swallows and tā moko. Made for documentary slot Contact, Skin Pics chronicles a time when "folk art has become high art".

Signatures of the Soul is a documentary film that delves into the world of tattooing, showcasing the artistry and culture behind the practice. It explores the history, techniques, and individual stories of tattoo artists and their clients. Through interviews and captivating visuals, the film offers a deep insight into the personal and cultural significance of tattoos in modern society.

In more repressed times, Carmen was one of NZ's most colourful and controversial figures. Geoff Steven's doco traces the life story of the transgender icon who was born in Taumarunui in 1936 and went on to be a dancer, sex worker, madam, cafe owner — and one of the few non-MPs to appear before the Privileges Committee.

Expat Kiwi Rewi Alley became one of the best known foreigners in 20th Century China and advocate for the Communist Revolution. When China was under siege from Japan in the late 1930s, Alley instigated an industrial co-op movement he termed ‘gung ho' (work together). Its success led to the phrase entering the global idiom. For this documentary a Geoff Steven-led crew travelled 15,000km in China in 1979, filming Alley as he gave his account of an engrossing, complex life story. Co-writer Geoff Chapple later wrote a biography of Alley.

In small town Carlton Bob, the head of the Progressive Association, the local accountant and the boxing coach at the men-only gym, hires a masseuse from Auckland. Sandra is quite happy to give straight massage, but Bob pressures her to give "city massages". The wives are disturbed by her presence - perhaps with some justification. The climax occurs when accountant Phil, wants to leave his wife for Sandra; but when she rejects him, he smashes up the gym. The boys rally round to hush up Phil's indiscretion.

Director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity.