Max and his young bride attempt to enjoy an Alpine honeymoon, despite the presence of her mother.

Max visits a doctor who prescribes a tonic (Bordeaux of Cinchona) for him to drink every morning. Upon returning home, Max sees a large glass which was left by his wife and labeled "Souvenir de Bordeaux". He consumes it its entirety after assuming that it was his medicine. Immediately Max feels much better. Hilarity ensues as Max goes about the day in a completely drunken state.

Coming to visit a girl, Max presents himself as a pedicurist.

Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.

In a snowy Alpine district Max takes his first lessons in the art of skiing. He leaves the hotel with his skis fixed to his shoes, and his efforts and contortions to get through the door of his room are absurdly ludicrous. Finally he manages to get out and we see him making frantic efforts to maintain his equilibrium on the fairly gentle slope.

Rigadin acquires a love powder from a gypsy but it is not consumed by his intended target.

The film begins with Max being invited to dinner with his fiancée and future in-laws. To be polite, he stops on the way at a bakery to bring along a small gift for the in-laws. Unfortunately, he steps on some flypaper and has a devil of a time getting it off himself. When he arrives at the dinner, he's quite sticky and this causes LOTS of problems--which would have all been alleviated had he told them of his flypaper predicament. The title of the print gives the wrong date and title. Although there may well have been an earlier version with a similar plot (a number of films, which Max Linder made between 1905 and 1908, are still unidentified) it is quite clear that this particular one was made in 1910.

Max is about to make his first call upon a young lady, the daughter of distinguished parents, and he wants to make a good impression. As he dresses to go out he stoops over to fix his shoe and, horrors! He tears his trousers. Where? Well, in a most embarrassing place. He fixes them hurriedly, trusting to have his coat tails cover it, but alas, the coat is too short for this purpose. Nevertheless, he takes a chance and, arriving at the house has the butler make a close inspection. He seems to be all right and enters, but when he bows to his hostess he hears the sickening sound of tearing cloth and knows that his patch has given way. Max hastily seats himself and during the rest of the evening performs the most astounding feats to hide his terrible secret.

Hidden behind a parasol, Rigadin was courting his eventual mistress when suddenly he saw his wife and his step-mother walking to him with a smile...

Directed by Gérard Bourgeois.

Artist Armand Hauterive sketches Romany girl Nadette Darson. When she returns to her caravan, they start to beat her, until Hauterive pays them money to be his model. She comes with him to his studio, where she discovers he is madly in love with another woman who rejects him.

Max loves a charming girl to distraction, but her father declares that his daughter shall never marry anyone but a musician. Max tries his hand at all kinds of instruments, only to fail lamentably. Eventually, he bluffs the professor by using a mechanical instrument, only to have his clever trick discovered on the evening of his betrothal.

Charles Prince is an inept butler, so he is fired. He goes and gets a job at a restaurant, where he discovers his former employer in a tryst with a young woman who's clearly prepared to be no better than she is, and snatches a love letter from the boss to the girl. He uses this to reinsert himself into his former home, where he drinks the master's wine, smokes the master's cigars, and insults the master's cook.

After visiting the first Cubist exposition in Paris, Rigadin (Charles Prince) is struck by his discovery: A egg is a rhombus, the earth a cube! Unfortunately, he is engaged to Miss Rondebosse (Gabrielle Lange), whose father is head of the Tradition...