The Lover is a film adaptation of the semi-autobiographical novel by Marguerite Duras. Set in 1920s French Indochina, the movie portrays the forbidden love affair between a French teenager and an older, wealthy Chinese man. The film explores themes of desire, sexual awakening, and the consequences of societal taboos.

In 1959 Paris, struggling jazz musician Dale Turner forms an unlikely friendship with a compassionate frenchman who helps him navigate the challenges of alcoholism, poverty, and the decline of the jazz age.

The film centers on a Dominican monk named Jérôme (played by one actor in colour and another actor in black-and-white) and his interactions with various higher-ups within the French Catholic Church. Ruiz's intention was to reflect the ideological arguments that plagued Latin American left-wing political parties.

George (Francois Simon) takes care of his invalid wife and holds down a full-time job. When an investment firm wipes out his life savings, the middle-aged George is soon forced into retirement for health reasons. George takes up a life of crime when the company turns his back on him and the money is gone overnight. He is soon driven to the brink of insanity over the unfortunate series of events that transpire. - Dan Pavlides

Jean-Luc, a character based on a novel, experiences persecution in this drama film.

Claude Goretta directed “L'invitation” in 1973. For filmmaker Lionel Baier, born in 1975, it is like a “travelling companion”, to adapt Serge Daney’s expression. He feels it is definitive proof that a Swiss can be deeply Chekhovian. The young filmmaker goes to Geneva to ask his elder how he achieved the whoosh of water effect in the film, why attention to detail matters so much, and how to film great actors such as François Simon. This encounter with Claude Goretta – but also with Isabelle Huppert, Nathalie Baye, Michel Robin and Frédérique Meininger – leads one of the greatest of Swiss filmmakers to open up about his work.

Former student Raskolnikov is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Raskolnikov struggles between trying to hide his guilt and the pressure to confess. Part one of this epic adaption of the classic Russian novel.

Alphonse Dutilleux, a Paris Shoemaker, closes shop and makes his way to the Bois de Boulogne, the male pick-up and prostitution scene. His wife and his son are waiting for him for dinner...

This film is based on actual letters German soldiers sent home from the siege of Leningrad during World War II. The litany of trouble these poor grunts endured is lamentable. One complains of returning home an invalid. An SS man has bad dreams about the Russian tank-driver he killed. Another complains when he sits down to hear a piano recital and one of the musicians has frozen fingers. Another soldier swears he will never forgive his father for injuries he suffered in the invasion of Leningrad. Stock footage of wars from World War II to Vietnam are inserted and give an ironic tinge to the feature.

Plot Unknown