Dryfsand (Quicksand) is a South African, Afrikaans-language television drama series written by P.G. du Plessis and produced by Andre Scholtz which revolves around a load of gold that was stolen from a small mining town. An airplane disappears without trace while ferrying a cargo of gold bullion from a small mining town. Carstens, the protagonist of Dryfsand, loses his job at the mine because of the incident, which is deemed a heist.

A squad (stick) of South African soldiers is sent into the bush to track down some rebel fighters when things take a supernatural turn.

When Hanky Pranky (alias Schucks), star of a candid camera TV show, loses his job to affirmative action, he applies for a job at a stress academy. It´s not long before Schucks discovers his new boss, Jack Paddaman, is as crooked as they come, but it´s too late: the employment contract is signed and sealed.A year passes, and Schucks is no better off. However, his candid camera videos, which poke fun at all sectors of post-1994 South Africa, prove a big hit with stressed-out government ministers. When the president asks Paddaman to make a movie to benefit street children, Schucks and his pals do all the hard work while Paddaman plans how he can get hold of the profits from the video sales. Add a scatterbrained secretary, a lovelorn traffic cop and a cunning street child and you have a roll-in-the aisles comedy with a distinctly South African flavour.

A man disrupts a peaceful church community with his unconventional behavior, causing a series of conflicts and tensions to arise.

A computer chip turns an FBI agent into a lethal weapon.

The beautiful daughter of a murdered scientist determines to apprehend her father's brutal killer at a nuclear waste site they're both inspecting as part of a team of international delegates. But the visiting scientists soon realize that ruthless terrorists intend to blow up the complex.

A young woman called Amy, without scruple or taboo, embarks upon a career of robbery and murder, eventually taking up with the family of an upper middle class man and briefly leading a provincial life. Because she has nothing to lose, Amy is desperate to gain money and power. If men are susceptible to her charms, women must be even more wary of her diabolic schemes. For love or money there is no mercy for women.