A young boy becomes infatuated towards an older woman. TV movie based on Eduardo Barrios's novel of the same title.

The Patagonian steppe is battered by a grey wind... Mora is 13 years old and intends to become a "gaucho". She questions the school and asserts her individuality towards her parents, two environmentalists from Italian-speaking Switzerland whose dream of autonomy turns into a nightmare. Mora goes deep into the steppe to help the only friend she has, Nazareno, an old Mapuche who has lost his horse, Zahorí.

Thursday Till Sunday follows a young girl and her parents on a road trip through northern Chile. As they navigate the beautiful landscape, the trip gradually reveals the underlying tensions and dynamics of their dysfunctional family relationships. The film explores themes of family, parenthood, and the complexities of communication.

An actress travels to Lisbon representing a film where she has a secondary role, regarding nobody else was available to go. In the Q&A in the Cinematheque she doesn't know how to answer the audience questions.

Eliana is a woman who comes to work in the mansion of a wealthy family, in the suburbs of La Dehesa, Santiago, after being fired from a bridal shop in the Florida Center Shopping Mall. The family she works for is formed by the widower Max Valdivieso, his three children, Catalina, Sofía, and Tomás, and his butler Bruno. Max's assistant, Loreto, has a rivalry against Eliana and Bruno. She will do everything possible to try to fire them. In some cases, Eliana and Loreto and will have to work together to get out of trouble. Loreto is very fond of Max and the two both have a relationship at the beginning of the series.

The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

A group of people gather for a family reunion in a house on an isolated island. They are waiting for the last person to join them, but as the evening arrives and he doesn’t arrive, a strange anxiety overwhelms them. The group dismantles and the family members wander away from the house separately, confronting the sea and an unspoken fear that slowly consumes them.

Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.