It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.
Catarina Menezes is a bisexual TV reporter who decides to have a child on her own and chooses Spanish humanitarian doctor Rafael to father the child, setting up an elaborate charade to lure him into her bed. When Catarina reveals her pregnancy, though, her current live-in girlfriend doesn't take to it kindly and promises to make Catarina's life hell; to make matters worse, Rafael finds out her true identity and comes to Lisbon to see her. And Catarina's sole refuge is in the arms of fellow journalist Francisco, her professional relationship slowly becoming a romantic one.
Teresa finds out in Africa that her husband, Xavier, was lost in child prostitution. She flees to South Africa where she meets the maid's daughter, prostituted. It ends up getting the Mozambican police to save her and testify against the network of child prostitution. She becomes a star. The rescued girl has the media attention and also becomes a star.
Adília was once a successful pianist. Now her only contact point with the world is her daughter.
Through an acting game, the director's parents become movie stars to talk about the cancer they both overcame and the fear of loss.
Inspired by the biography of the portuguese painter Maria de Lourdes Ribeiro, known as Maluda, who found the stage of her art in Lisbon.
O Visconde is based on the same Álvaro do Carvalhal short story as Manoel de Oliveira's The Cannibals.
Upon receiving the news that he's dying, a man searches for his friend, hoping to seek a final moment with him.
The plan of issues, since 1962, an alive and continuous legacy of Calouste Gulbenkian Foundation
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