Luís - ex-student in Lisbon and ex-combatant in Africa - finds, after returning, Maria, secretary who has a relationship with António. He lives in a palace with his children, two old aunts and a Dominican friar, a former missionary.

As Armas e o Povo (1975) is a documentary that explores the revolution in Portugal through interviews and handheld camera footage. It provides an intimate portrayal of the events and the impact they had on the people.

The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than classes at the Faculty of Economy, and gets a job but that's short lived because his female boss makes him her lover. He longs for the coffee shops, and the companions of old, but he doesn't get true love from anyone.

Documentary about the Portuguese Revolution of April 25th, 1974 which focuses on events like the siege of the Carmo quarters and the release of the political prisoners at Forte de Caxias.

One bad thing never comes alone, says the people. The village Estrela is threatened by the waters of the new Alqueva dam. It will become an "island". But, as one bad thing never comes alone, the daily lives of the inhabitants of this small mountain village are changed by the death of Adriano. "In order to create, I destroyed myself; I have so much externalized within myself that within me I exist only outwardly. I am the living scene where various actors perform various plays." (from Livro do Desassossego by Fernando Pessoa), as Adriano liked to quote Adriano. He committed suicide on the day of the village feast, hanging himself in the main square. For Adriano, the main square of the village has long been the center of the world. Adriano felt surrounded, depressed, unable to escape his destiny. "No one can stop a man who travels with suicide on his lapel" Adriano repeated to Lisete, always to the point of exhaustion.

A dialogue between History and a Guerrilla Movement, interlaced with live footage taken in Portugal and Guinea-Bissau, when this country was the colony of the first.

The daily experiences of many antifascists - who suffered, until the political prison, which sealed his esteem and united them in a covenant of justice against a "pide" assassin (eted). But the April 25 and May 1, to September 28 and March 11, follows the November 25 - striking dates a forthcoming story. Time caused the wear of the revolutionary process, exacerbating social and economic problems. In the intellectual groups of the left, where the ideological coherence flew over the everyday practice, is dug a crisis of identity and options. An early vote, perhaps radical, unites -still - a determined activist and a journalist who wonders ...

Twenty years ago, Henrique left Portugal for the peaceful Netherlands. A colonial war veteran, he desperately wanted to get away from his country which still defended a doomed African empire and from his traditional, landowning family. He’s back now. Everything is different. «Europe» knocked on the door and sprawled itself fast. Even the South had to face wrenching changes. And Henrique himself will have to face many events. Love affairs and dangerous threats. And the chalenge of his future.

There is a photograph from 1937, the year of my parents wedding, taken at Sta. Isabel’s Church. In it, my grandfather José Rodrigues Vieira has a sad pose. He married his daughter and was politically dismissed by the State. He is an old republican, tormented and disappointed. Born in the village of Almeida he was at the Rotunda and at the proclamation of the Republic. The film «O Meu Avô Republicano», through its locations, images, photographs, films, press and propaganda draws the outlines of that time and the republican movement in which he was involved.

The school film of Fernando Matos Silva made in the London School of Film Technique. An adaptation of the homonimous tale of the writer Ray Bradbury.

Produced by Francisco de Castro, to promote tourism in the beaches around Lisbon.

A film on the work in the electric cable industries of Diogo d'Ávila in Alfragide.

Film commissioned by Lisnave. Shot in 16mm

A documentary organized around the promotion of Indo-Portuguese cultural heritage, with commented pictures of the most striking examples of civil and religious architecture and housing areas marked by portuguese traditional construction. Patent portuguese memory in everyday's commercial and artistic life of Cochin, now the capital of Kerala state and surrounding regions of Cranganor, Calicut, Quilon and Travancore. The undisputed and recognized influence of Indo-Portuguese Catholic communities across the region.

ALENTEJO, AS QUATRO ESTAÇÕES is a gorgeous essay on the landscapes of Alentejo, based on a beautiful text by Baptista Bastos, spoken by José Wallenstein.

E NESTE NADA CABE TUDO is shot for television (already on video – thus exploring its plastic potential) and examines the work of the sculptor with a special focus on the famous and polemic 25 de Abril monument.