The bullfighter Marcial Lalanda financed and starred in this film about the rivalry between two bullfighters for the ill-fated love of the same woman. It features scenes of bullfights shot by Enrique Blanco using polychromatic film for the first time in Spain. Considered one of the greatest Spanish silent films.

Carlos and his girlfriend Carmen are a happy and fun couple; however, his friend León and his girlfriend Luisa are quite the opposite; so Carlos recommends León to visit the mysterious Kamus —an artist, a drunkard, a philosopher—, in the hope that he can free him from his depressing and contagious existential pessimism…

Adaptation of the operetta of the same title. Mari Pepa, who works as a laundress, has gone to live in the neighborhood courtyard house, which is also tenant Felipe, who courted.

Currito, raised in a Seville hospice, ekes out a living while trying to become a bullfighter.

Beliche, a naive postman, suffers from depression because he has almost no letters to deliver. The neighbors to whom Beliche takes their correspondence decide then to launch a plan to receive many more.

San Fernando Island, Cádiz, Spain, 1860. Lola embarks for Sanlúcar de Barrameda to go to the estate of Don Diego, a rich landowner who is in love with her.

The loves of a Sevilian girl living in a patio house at Macarena's quarter and his sweetheart Manolo are troubled by her older and generous housekeeper who is also in love with her.

The film "El Patio de los Naranjos", restored by the Filmoteca de Andalucía, was shot in 1926 by Guillermo Hernández Mir. A fictional film, based on the director's own eponymous novel, and shot in prominent enclaves in the city of Seville, at the Church of San Lorenzo, the courtyard of the Seminary, the neighborhood of Santa Cruz and the courtyard of the Naranjos de la Catedral , among others.